Showing posts with label Aggi Doom. Show all posts
Showing posts with label Aggi Doom. Show all posts

Friday, 11 January 2013

Scottish Fiction Podcast - 2nd January 2013


This podcast is our second one focusing on a round-up of all the was good and righteous in 2012.  Rather than look at albums, which we did on the last podcast, here we play out some of our favourite singles and EP's released last year.  There's music from The Spook School, Fat Goth, Michael Cassidy, So Many Animal Calls, Randolph's Leap and so much more!  Check it out and remind yourself of some of the great music released last year.

CHVRCHES - Lies
The Spook School - I Don't Know
Stanley Odd - Marriage Counselling
Michael Cassidy - Battleships
Frightened Rabbit - State Hospital
Aggi Doom - Cakewalk
Fat Goth - Debbie's Dirty Harry
Father Sculptor - Blue
Holy Esque - Tear
Julia And The Doogans - Diamonds
Martin John Henry - Span
Mitchell Museum - The Closer We Got The Harder We Fell
The New Fabian Society - Hate Fills The Day
North American War - Geraniums On A Spit
PAWS - Sore Tummy
PET - Wear Black
Plastic Animals - Yellowcraig
Quickbeam - Seven Hundred Birds
Randolph's Leap - Hermit
Rick Redbeard - Now We're Dancing
Saint Death - Thompson's Daughter
Shambles Miller - Confessions
So Many Animal Calls - Traps
The Son(s) - Roaring Round The House
RM Hubbert feat. Aidan Moffat & Alex Kapranos - Car Song

Subscribe/listen to the podcast via iTunes.



Tuesday, 15 May 2012

We're Only Here For The Banter - Aggi Doom


Aggi Doom are that rare entity that crop up every now and again, a band that don't come with a whole heap of hype and press, but sneak into your subconscious.  The band have their single 'Bring The Head' out on 21st May, on independent label Soft Power Recordings which is like the piped piper leading you down an addictive path.  We caught up with the band for some quick questions.

Hello, how are you?

Good!

It's the question everyone hates, but could you tell us a little bit about your music and your influences?

At the very beginning we bonded over a lot of post punk and '60s garage.  A lot of the bands that people have compared us to like The Raincoats, Grass Widow and The Delmontes are bands we listen to, but we never made a concerted effort to sound like them or even really discussed it.  They're great bands but they're also all female fronted and we feel music shouldn't be judged solely in terms of gender because it's never the whole story.  We're always sharing new and old musical finds with each other and so our influences are probably changing quite a lot.  Some people have commented on how different the A and B sides of our single are and maybe that's a reflection of that; we wouldn't want every song we made to sound like it came from exactly the same place.

What's your song writing process like?

We're all pretty fidgity and antsy so usually someone's messing around with something and then the other of us will just join in and we build it up from there.  Generally then Claudia will go away and write some lyrics, and on occasion someone else will pull some out that they've been working on.  It means that we have tonnes of scraps of songs laying around, but also that we're all doing it together which is important.

What could we expect to see from a live show?

We can sound pretty shambolic sounding cos we're new, but we don't mind.  The look of a show differs quite a lot depending on the occasion, we could be under acid clouds by volcanos in Ancient Aliens-style get-up or relaxing in our day clothes.

If it were all to end tomorrow, what would you say has been your greatest achievement?


It's great to us that we're actually able to play together and make songs because you always want to play music with your best pals but it rarely works quite so fluidly and happily as this has, famous last words.  Putting out the single with Soft Power is obviously a major achievement for us, they're such good people.

What have you got planned for the rest of 2012?


We have a 7" single (Bring Me The Head/Cakewalk) coming out on Soft Power Records on the 28th of May, followed by a split cassette release with our friends Palms.  We're planning to do a small UK tour with Palms in August, so hopefully we'll be doing that this summer!

At Scottish Fiction we focus on new Scottish music, how do you as a band view the Scottish music 'scene'?

It's extremely varied at the moment in Glasgow.  There's obviously loads of bands here, but right now it's incredibly eclectic and people are really doing their own thing.  It's more about having a similar ethos to each other than having a similar sound, the result is shows tend to lose their pretensions and they're rarely dull.

What other Scottish artists would you recommend to the Scottish Fiction readers?

The best place to find out who's good here is probably the Winning Sperm Party website, they have so much up and it's a true reflection of who you'll see playing a lot if you're here.  Notable ones for us are probably Palms, North American War, Neighbourhood Gout, Rosy Crucifixion, Fem Bitch Nation, Organs of Love, Happy Particles, Wild Pegasus and the list goes on forever.  We're not going to go on because the more we list the more we'll feel we've missed folk out.

Thanks for speaking with us, would you care to share a joke with us?

You'd really rather we didn't.

Check out more from Aggi Doom

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Friday, 6 April 2012

Scottish Fiction Submissions

This isn't the sort of endeavour one should undertake with a mild sore head brought on by one too many Peroni's but I like to live on the wild side.  I get a good few submissions each week into my inbox, and I always feel slightly guilty about not doing more with them.  So the plan is to replace the Friday Frolics post, which never really happened too often anyway, with a round up of tracks that I've stumbled across that week.  Let's do this!


Wrongnote - Heart Of A Rat

This track dropped into my inbox yesterday with the best promotion bumf I've ever read.  My favourite line was "we're not keen on the whole buzzwhoring 'announcements of announcements', 'RT if you're shitting yourself' mentality."

The track is a taster from the band's 'almost-finished-not-quite-yet' EP and has plenty of energy and a baws oot RAWK feel.  Fans of The Queens Of The Stone Age will enjoy.




Aggi Doom - Bring Me The Head

Released as a 7" limited to 300 copies on independent label Soft Power Recordings this track is quirky, bouncy and like the piped piper leading you down an addictive path.  It's a great serving of post-punk for a Friday afternoon.




Aerials Up - The Old And The Innocent

Fresh from their jaunt to Canada Aerials Up have a brand spanking new single which came out on Monday 2nd April.  The single was released on Kittiwake Records and is taken from the forthcoming album 'Breach'.

If you like your music with an uplifting spirit akin to The Arcade Fire, then 'The Old And The Innocent' will be right up your street.




Colin James Murphy - More Than Just An Hour Between Us

Time for some folk singer songwriter material in your life.  'More Than Just An Hour Between Us' is an EP from Colin James Murphy which he mixed, mastered and produced himself.  'Hurricane' is the opening track from the EP and gives a good account of the overall sound. 




Julia And The Doogans - Diamonds


The new EP from Julia And The Doogans is out on Monday 16th April.  The lead track from it 'Diamonds' crept out on Soundcloud this week and it's magnificent.  Check out our full review of the EP here.





There's a buzz around Mummy Short Arms, that I am late to notice.  All has been resolved however as this new track 'Silicone Dream' has hooked me in with it's scuzzy alt-rock charm.  The single is released on 14th May and an album follows on 21st May entitled 'Old Jack's Windowless Playhouse'.




Kick To Kill - Avalanche

Another track from Flowers In The Dustbin Records, this time from Glasgow band Kick To Kill.  This track is released as a single on May 14th.  There's an seedy underbelly hiding beneath the glorious layers of sound, which has the addictive yet elusive quality that forces you to listen again, and again.  And again.