Sunday, 11 December 2011

Lists, Lists, Lists


Lists are a strange thing. When I say 'lists' I don't mean the factual kind e.g. Forbes Rich List, or 100 Best Selling Albums, but the kind that are a permanent feature on blogs and review sites at this the twilight stage of the year. Lists of the opinionate variety , lists which are completely subjective and dependent upon the tastes and whims of the person compiling them. What is it about 'Best Of' lists that compel us to read them, write them and undoubtably argue over them?

I read an article on the Guardian website yesterday which gave an interesting account of the end of year lists that many of us concern ourselves with. My own view is that lists provide a useful service if they are understood in the correct manner.

For the reader it is important to understand what you are reading. No matter which blog, which media outlet or which magazine, the list you are reading is the opinion of the writer (or the collective opinion of several). Unlike a factual list, for instance 'biggest selling albums of 2011', there is no imperical weight behind anything. You can't argue that Adele hasn't sold the most records because the figures are there in black and white. But you also can't reasonably argue against opinion either.

Now this may seem like an obvious point, but many forget it. So when NME, Q, or even me say that your favourite album doesn't feature in an end of year 'best of', you can't argue we are wrong. Simply that our opinions are different.

Once you understand this point, and some people never will (especially angry teenagers who post comments on YouTube), then you can begin to reap the benefits from end of year lists. Because it's not about whether the list maker agrees with your opinion, it's about what can you discover from their opinion. What albums did you maybe overlook? What artists have you never heard of but maybe you would like?

It all, of course, depends on the value you place on the list makers opinion. Afterall, if you really do not like hip hop, you'd be ill advised to follow the advice of Vibe's end of year lists. Similarly if in the past you've discovered some gems through reading a particular blog, then you might want to check out what they recommend. 

For me as a reader, that's the value of lists. Not that I have to agree with them (I personally don't see the big fuss about PJ Harvey's 'Let England Shake'.) But that there is so much out there it is impossible for me to even acknowledge it all, let along listen to it. End of year lists from different sources provide a summary of what I may have missed or, depending on the source, shine fresh light on something I've overlooked.

For the writer the use is more of an egocentric one. I'll happily admit that I swell inside a bit when someone reads and comments on a blog post. But putting aside this particular aspect of it, I think there's another important function of lists for the writer.

If you have a blog, a newspaper, or even if you just want people to listen to you, it's a good idea to let them know what you're all about. Lists let you do that, in a nice neat orderly way. They make a statement about the writer, they say, 'this is what I like' in the most obvious way.

But despite all of this, they remain something we will obsess over, something we will argue about and ultimately something that will continue to dominate this particular time of the year. And is that really such a bad thing? If it gets people engage and involved in music then surely that's the goal?  Anyway, I'm off to compile my top 10 lists...

Saturday, 10 December 2011

Scottish Fiction December EP - Christmas Charity Special

Regular readers of the blog will be aware that each month I put out free EP with help from the many talented and kind Scottish artists who contribute tracks towards them (download past month's EP here).

Well December is no different in that respect, and being the time of goodwill I've decided to ask for the small sum of £2 for this month's EP. You can be guaranteed that the quality of music on offer is of the usual excellent high standards, with Evil Hand, Lonely And Lola, Ed Muirhead, Lovers Turn To Monsters, Linzi Murphy and a few other 'yet to be confirmed' artists all involved.

And it's all for a very good cause, as all proceeds will go directly to homeless charity Shelter.

The EP will be available on Thursday 15th December, so in the meantime, please spread the word and help Scottish Fiction support this very worthy cause.

More updates and announcements will be forthcoming as and when they are confirmed, and to further add to the excitement all the tracks will be Christmas songs!

Scottish Fiction - Best Of 2011 - Albums (Part 1)

What's that? There isn't enough lists floating about? Calm your jets good baying mob, for here is Scottish Fiction's Best Albums of 2011 Part 1.

I've made a conscious decision to split my best album lists into two. Part one features my favourite albums of the last 12 months from outside Scotland. And part two, which will be forthcoming will feature my favourite albums of 2012 by Scottish artists. Why? Well, as you know the focus of the blog is Scottish music, but it would be folly to ignore a whole years worth of musical output simply because it was made by people outwith our snowy windy borders.

So here's my attempt to countdown in an order of meaning. Don't be bummed if you think number 27 should be higher than number 14, at the end of the day I've no real basis for deciding anyway!

30. The Beastie Boys - Hot Sauce Committee Part II



29. Lykke Li - Wounded Rhymes



28. Iron & Wine - Kiss Each Other Clean


27. Trips And Falls - People Have To Be Told


26. M83 - Hurry Up, We're Dreaming


25. Anna Calvi - Anna Calvi


24. Friendly Fires - Pala


23. Smith Westerns - Dye It Blonde


22. Male Bonding - Endless Now


21. Fair Ohs - Everything Is Dancing



20. Noah And The Whale - Last Night On Earth



19. Vivian Girls - Share The Joy



18. TV On The Radio - Nine Types Of Light


17.  Bright Eyes - The People's Key


16. Gil Scott-Heron / Jamie xx - We're New Here


15. Alex Turner - Submarine OST


14. Yuck - Yuck


13. Danger Mouse & Danielle Luppi - Rome


12. Rob St. John - Weald


11. Radiohead - The King Of Limbs


10. Metronomy - The English Rivera


Metronomy returned in April with their third, Mercury nominated, album. Simmering with cutting beats, synths that climb into full blown dancefloor fillers and bass lines steeped in jazz, this album sees a progression of Metronomy's classic indie-dance fare whilst still paying tribute to their foundations on 'The Look', which is an album highlight. It's intelligent music, very well put together and full of confidence and charm.


9. Wild Beasts - Smother




Wild Beasts third album was released in May of this year, and it's the quartets finest to date. Revisited '80's pop with a fresh impetous, they manage to fuse the best bits of Adam Ant, Frankie Goes To Hollywood, et al with the minimalist touches that permeate British dance music at present. Opening duo 'Lion's Share' and 'Bed Of Nails' are both exude an enchanting beauty and the album retains a collection of tender moments throughout.


8. Dum Dum Girls - Only In Dreams


There's just something about girls and guitars. Released on Sub Pop in September, The Dum Dum Girls second album is a huge step forward from their debut. Dreamy fresh lyrics replace the 'la-la-la's' that took away from their first album, and the overall sound is touched up such that it retains the C-86 influence but doesn't sound as if it's been recorded in a garage in downtown LA. The album is straight out of the Spector 'Wall Of Sound' book, with trademark snapping guitars, grungy hooks and sharp drum beats. The above 'Bedroom Eyes' shows why The Dum Dum Girls are the most likely contenders from the 2010 Los Angeles 'stoner rock' scene.

7. J. Mascis - Several Shades Of Why


Despite various side projects over the years, Dinosaur Jr's J. Mascis only released his first fully solo album back in March this year. Mascis decides to steer away from his usual waves of noise tempered with gargantuan amounts of distortion and showcase his softer side. It's a delicate, mainly acoustic affair with the sense of a warm wind blowing past on a mild summer's twilight as you reflect on the day just past. Which is a nice feeling.

6. Battles - Gloss Drop


I have a friend that heard the above track 'Ice Cream' at a Battles gig in early 2010. He had the tune stuck in his head for a year solid before being able to listen to it again with the release of Gloss Drop in June. That should tell you something about the sheer catchiness of this album. Doing what Battles do best by hooking you in with beats and loops so intricate they could have been carved out of crystal by Swiss jewellers. Electro legend Gary Numan makes an appearance on 'My Machines' which tops off one of the most interesting and eclectic albums of this year.

5. Beirut - The Rip Tide


The Rip Tide is Beirut's most mainstream offering yet. Zach Condron manages to temper the Eastern European folk influences into a thoroughly enjoyable slice of alternative rock. Full of romanticism and swooping melodies that engulf with the ability to create a sense of optimism and feeling that maybe the world isn't all that bad after all. Standout tracks are 'Santa Fe', 'Port Of Call' and 'The Rip Tide'.

4. The Shivers - More



How often do you buy an album without hearing anything from it? And how often do you do this with a band you've never heard of? Not very in my cash strapped world. So buying The Shivers album released on Fence Records in September is the equivalent of winning the lottery with a lucky dip. The influences of their hometown New York seep out of this record, there's hints of the indie stylings of The Strokes circa 2001, synth driven melodies ala The Rapture, and elements of smooth jazz. I love this record. You should to.

3. Fleet Foxes - Helplessness Blues


Fleet Foxes follow up their eponymous 2008 album with Helplessness Blues, again released on Bella Union. Their debut was one of the most critically received albums of the '00's so following it up was always going to be a tough ask. Thankfully Fleet Foxes showed why they can be quite rightly regarded as the future of alternative American music. It's mostly a case of more of the same from Fleet Foxes on Helplessness Blues. The Van Morrison / Neil Young influenced folk is the core of an album which simply pushes the boundaries that little bit further. Always inquisitive in it's nature, Pecknold's lyrics are at their peak on title track 'Helplessness Blues'.

2. Bon Iver - Bon Iver 


For Emma, Forever Ago was universally acclaimed. Yet Justin Vernon's second album 'Bon Iver' has divided a good many music critic. I'm not sure why, but I have a theory that it may be the sheer expectation that came along with this album that causes some to dislike it, or at least not rate it as much as 'For Emma, Forever Ago'. Perhaps because 'For Emma...' was a slow burner it felt more of something you discovered rather than expected. Something that was underground rather than mainstream. Something that was free from expectation rather than weighted down with trying to follow one of the most heartfelt albums of the last ten years. I love 'Bon Iver'. Do I think it's as good as 'For Emma...'? No, but it was never going to be. And I think as soon as you can let that go, you can appreciate a fantastically well crafted album, which goes in a opposing direction introducing synths, distortion and brass to suppliment the basis structures of Vernon's songs.

1. Cat's Eyes - Cat's Eyes


An unlikely pairing, an even more unlikely debut gig at the Vatican, and yet this April release from Horror's frontman Faris Badwan and soprano Rachel Zaffira is more favourite album of 2011. It's sophisticated music, full of classical elements intertwined with '60's girl groups and that man Phil Spector again. Full of warm reverb, the soaring operatically trained vocals of Zaffira complement the baratone Badwan. Proof that Badwan's love of the obscure can wield positive results, this album is unlike anything else I've heard this year, full of swirly orchastrations and dainty little touches almost like the brushstrokes of the great artists. Lowlights are non existant, but the album swells to magnificent proportions around 'The Best Person I Know', 'Face In The Crowd' and 'Over You'.


So there you have it. Scottish Fictions 30 best (read favourite) albums from 2011 from outwith Scotland. There's no doubt there a vast myrad of music I've missed. That's either because I don't rate it that highly (PJ Harvey) or I simply haven't heard it. Both of which are valid reasons. Stay tuned folks for the best Scottish albums of 2011.

Wednesday, 7 December 2011

Scottish Fiction - What you should be listening to 2012

What can I say about the BBC's Sound of 2012 that hasn't already been said? Yes most of the artists are already signed to major labels, and yes the more cynical amongst us may believe that those labels are heavily influencing the list to get their act a foot ahead. But the bottom line is that no one, (not even dear old Auntie Beeb) can truly define what you or I will be listening to next year. Because if you truly love music, then you'll spend some time to discover it for yourself.

I doubt many people are looking at the 15 names thinking to themselves, "right that's my listening duties wrapped up for the next twelve months". However the more worrying thing is that a lot of people will happily accept this list as the 'best' new music, and will not delve further.

I shouldn't be self-righteous about it either. Afterall, I like the sound of 'Friends' and 'Dry The River', and there will probably be a lot of success for a few others on the list. And maybe that's what it serves to do. Provide a list of artists who will probably achieve commerical success next year. But we all know that's not always worth much, see: Adele.

So to the point. The Sound of 2012 will be whatever you decide it to be. All lists and tips are simply served up as suggestions for your listening pleasure. How much faith you place in those suggestions are purely down to the value you place on the person suggesting. And with that confidence shattering realisation, here's my picks for 2012:

Discopolis
 
This is an easy one. The blazed their way through a headline slot on the BBC Introducing Stage at this years T In The Park, they've been tipped by many commentators including the NME with a vomit inducing comment about setting the heather ablaze (seriously? How much heather do you see in Edinburgh city centre?), and they have been giging like mad over the past 6 months. With a sound fused from the shoe-gazing wonder of The Cocteau Twins, the roar and urgency of M83 and the electro dance beats of LCD Soundsystem, and a debut album hopefully forthcoming in 2012, Discopolis should garner fans to them in a similar way that saw Japan warm to them earlier this year!



Bear Bones
 
Bands just seem to be getting larger these days. Not content with the age old line up of drums, bass, lead and rhythm, Bear Bones are an 8 piece bethemoth lovingly whittled in the sounds of Admiral Fallow, Open Swimmer and Frightened Rabbit. There's a distinct Scottish warmth and melody behind their sound, and with an album out (hopefully) next year more people should get to appreciate that.



Rachel Sermanni


I first discovered Rachel Sermanni when she supported Admiral Fallow back in 2010. Even then it was clear she was extremely talented and special, if albeit a little shy. 2011 has seen her playing SXSW, Wickerman and a stand out set at this year's T In The Park. With a debut EP, Black Currents dropping in January 2012, Rachel's star will certainly be in the ascendency.



Michael Cassidy


I make no secret about the fact I love Michael Cassidy's music. He has a fantastic and mesmerising voice, and having become very familiar with a lot of his tracks, I am really looking forward to hearing the final article which hopefully should come with a debut album release next year. The singer/songwriter niche is hard to successfully crack, but I'm sure Michael is up to the job.



The Spook School

These lucky buggers recently had their song 'History' named as the Scottish Fiction 'single of 2011'. They have sinced followed this gem of a track with another two songs, 'Are You Who You Think You Are?' and 'Devil Of Mine'. With a C86 twee sound, all the noises eminating from this quirky quartet point to further brilliance. I do hope I'm right!



French Wives

I'm rather excited about Glasgow band French Wives debut album with will be out next year. They released 'Numbers' on 24th October and to say it has whetted the appetite would not even begin to describe it. The album itself has a lot of promise with Tony Doogan (Belle & Sebastian, Mogwai) on producing duties. 


Open Swimmer

Open Swimmer are a diverse bunch. Hailing from Glasgow, Sweden and Australia where there debut album was recorded. That album should be released on the public in 2012, and you'd be wise to look out for it as single Sugar Bowl, released earlier this year, was bloody awesome! And the band are just off the back of a performance on Ally McCrae's BBC Introducting In Scotland


So there you have it. Seven artists who are worth your time in 2012. Why seven? Well let's just say me and the laptop had a little disagreement resulting in me punching it, so I had to finish this post on my iPhone.




Scottish Fiction Playlist - Monday 5th December


Beep beep, beep beep, yeah! The theme for last Monday's show on Pulse Community Radio was cars.  But before delving into that, there was the business of playing some of the best new Scottish music. Here's Monday's playlist in full, and feel free to listen to the show again below.

Donna Maciocia - Breathing You In
Blank Canvas - By The Fire
Marie Collins - Old Movies
We Were Promised Jetpacks - Human Error
Discopolis - Timber Merchants 2.0
Kobi Onyame (feat. Mista L) - Congratulations
Aerials Up - I Am
PAWS - Miss American Bookworm
Cameo Colours - Real Lies
Trapped In Kansas - I Was Born
The Twilight Sad - Sick
Open Swimmer - Nineteen

The Beatles - Drive My Car
Tracy Chapman - Fast Car
Feeder - Buck Rogers
Madness - Driving In My Car
Kings Of Leon - Camaro
David Bowie - Always Crashing In The Same Car
Jimi Hendrix - Cross Traffic
She & Him - Ridin' In My Car
R.E.M. - Drive
John Travolta - Greased Lightning
Mew - Silas The Magic Car
Gary Numan - Cars

Scottish Fiction Playlist - Monday 28th November

Sorry for the delay in posting last week's show up. I'd blame the snow, but I'm not sure anyone would believe me.  Anyhoo, it's here now so if you would like to listen again to some pretty darn good music then check it out below. As usual the full playlist is also included for your reference.

Bwani Junction - Two Bridges
FOUND - Machine Age Dancing
Adam Holmes And The Embers - Alone We Stand
The Dirty Demographic - Lucky (The Matchmaking Wonderdog)
Lonely And Lola - Don't Go Changing
Over The Wall - Shifts
David Bowie - Magic Dance
The Seventeenth Century - Mid-October
Bill Wells & Aidan Moffat - Man Of The Cloth
French Wives - Numbers

The Cribs - Mens Needs
Modest Mouse - Float On
The Strokes - Hard To Explain
System Of A Down - Chop Suey
The Shins - So Says I
The Futureheads - Hounds Of Love
Jamie T - Sticks 'N' Stones
M83 - Don't Save Us From The Flames
Black Kids - I'm Not Going To Teach Your Boyfriend How To Dance With You
Foals - Cassius
Jay-Z - 99 Problems
Editors - Munich
The Go! Team - Ladyflash

Scottish Fiction 28th November 2011 by scottishfiction

Sunday, 4 December 2011

Scottish Fiction - Best Of 2011 - Singles

Best is a subjective term, which should really be replaced with 'favourite'. But in our chosen field of music, and in a wider term the arts, 'best' is never a word that can be used without actually meaning favourite. Anyway, enough about semantics, onwards to the 'best' single of 2011.

It's the time of year where bloggers, reviewers, journalists and all sorts of other people with an obsessive compulsive personality compile together lists ordering and categorising any given subject. So in the forthcoming weeks you can expect some things of that nature. I'm saving the albums until after the BAMS having finally submitted my top picks.

I've been sitting for too long trying to do this, so I've decided on my favourite, numero uno, the creme de la creme. The rest are presented in no particular order, other than to say they are all awesome. So just now you can sit back, read and disagree with everything I say.

Bill Wells & Aidan Moffat - The Copper Top

I find it difficult to describe this song. It's so unlike anything that I would usually listen to, and yet I'm drawn to it's beauty. The brutal bone chilling honesty of Moffat's lyrics, that all too familiar Scottish trait of talking about anything other than what we really feel, the beauty of Well's piano, the captive attention to detail, the heart rendering final line softly sighed. "Everything's getting older..." Actually that wasn't difficult at all.


Michael Cassidy - Everybody's Scared

This song hit YouTube in 2010, but I'm counting it because I first heard it this year. Michael has a fantastic voice, and this track showcases that really well. It's also got a great video to boot, and Michael's a great guy. Not that that should have any bearing on the matter...

Adam Holmes & The Embers - I Can't Be Right

Like Michael Cassidy, Adam Holmes has a fantastic voice. It's raw, it's earthy. it's warm. And along with his band The Embers, they have put out two EP's in 2011, Follow The Sun, and Long Way Home, from which this track is taken from.

Bwani Junction - Two Bridges

This came so close to being the number one pick. If anything it probably should be, but I've gone for something else for reasons I'll explain later. Bwani Junction are described with an Afro-Caribbean sound, which is true. 'Two Bridges' retains this sound with the funky bass line, and also cements itself as a stand out track on their debut album 'Fully Cocked' due to it's mainstream accessability. Hard to believe these guys are not signed yet.

The Shivers - Love Is In The Air

Okay they are not Scottish, which may be against the ethos of Scottish Fiction. But let's tear down our nationalistic walls for a moment to appreciate this truly great song from an equally inspired album. I could have chosen any song, but 'Love Is In The Air' has that kind of laid back soulful vibe that makes the whole thing seem effortless. Oh and there album 'More' was released on Fence records. So it counts.

The Little Kicks - Call Of Youth

It starts off with an intro that Ocean Colour Scene would have been proud off. Any further comparisons can be forgotten once lead singer Steven Milne kicks in. Good steady beat throughout, it begets further listening and has pretty darn good ending.

PAWS - Lekker

I fucking love PAWS. They are without doubt one of the best bands to emerge from these shows in recent times. 'Lekker' is a romping, stomping orgy of noise. And I could have been in the video but didn't make it. Shame.


FOUND - Anti Climb Paint

A story of persistance? The antagonists object of affection has legs coated with anti climb paint, but even though it's a bugger to wash off, why let that get in the way. Great song, and cue the obligatory mention of the edible chocolate 7"...

The Twilight Sad - Sick

Teaser 'Kill It In The Morning' didn't reveal too much new about the Sad's third album 'No One Can Ever Know' which drops in February next year. But first single 'Sick' showcases a new sound, and thoroughly whets the appetite for the afformented album. I did a review of it here, so read that 'cause I'm lazy.

We Were Promised Jetpacks - Medicine

Another band making their return this year were We Were Promised Jetpacks, who released their sophmore album 'In The Pit Of The Stomach'. It was preceeded by the single 'Medicine'. WWPJ are quickly becoming one of Scotland's premier bands. Again, I've already review this here.

So there's ten tracks which I think are pretty swell. There's been literally hundreds of great stuff out this year, and it would be folly of me to even attempted to cover it all. Cast your ears back over all of the Scottish Fiction radio shows this year and hear the above tracks and more throughout all the episodes.

So we come to the top track. The best song I've heard this year.

The Spook School - History

I love this song. Pure and simple infatuation. (It's been said countless times so I'll add one more) Sounding straight off the C-86 tap, all the elements are there. Jangly guitars, melodies, tweeness reminiscient of Belle & Sebastian. 'History' is so catchy, you'll wake up at 3:24 AM humming the 'la la la la'. It also makes reference to John Cleese, so as an avid Python fan, this gets double points. The lyrics are cute little observations, which complete the whole package.

But why this song as #1? Well other than the above, I was so impressed that this was the very first offering from the band. I'm sure obviously they've spent some time together, but as a maiden release into the world of music, 'History' takes the crown as best single this year. Bravo, well done, jolly good show, etc, etc.