Showing posts with label FOUND. Show all posts
Showing posts with label FOUND. Show all posts

Monday, 23 March 2015

Scottish Fiction Podcast - 23rd March 2014


Last August we dabbled with an all vinyl podcast which went down pretty well.  So naturally I thought it was time to dust off some records and do it again; but this time live in the studio for two hours!  Which given that our wee radio studio is not set up to play vinyl at all was a fun challenge!  So if you'll forgive the odd RPM mishap and some crackles, then dig into music from Errors, Jonnie Common, Withered Hand, Le Thug, Frightened Rabbit and more! 

John Knox Sex Club - Animals
Japanese War Effort - Summer, Sun, Skateboard
Bill Wells & Aidan Moffat - If You Keep Me In Your Heart
FOUND - Machine Age Dancing
Errors - A Rumour In Africa
Django Django - Storm
We Were Promised Jetpack - Quiet Little Voices
Jonnie Common - Shark
Martin John Henry - Span
Admiral Fallow - Beetle in the Box
Aberfeldy - Love is an Arrow
Lightships - Fear and Doubt
Belle and Sebastian - Come on Sister
COVER LOVER - LCD Soundsystem - Live Alone
Rachel Sermanni - Eggshells
Travis - Side
Withered Hand - Heart Heart
Tuff Love - Poncho
Frightened Rabbit - The Loneliness and the Scream
The Seventeenth Century - Banks of Home
Biffy Clyro - Saturday Superhouse
Le Thug - Sense in Scotland
Ambulances - Shine on My Shoes


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Scottish Fiction - 23rd March 2015 by Scottish Fiction on Mixcloud

Friday, 23 December 2011

Scottish Fiction - Best Of 2011 - Scottish Albums: 10 - 1

It is with a tear in my eye that I present to you my final list of the list making period. I've already given you my Top 30 International Albums of 2011 and I've unveiled numbers 20 to 11 of the Best Scottish Albums of 2011.

So all that remains is for me to wipe the sweat from my brow, put down my earphones, and present to you dear reader (maybe plural next year), my top 10 Scottish albums of 2011*.

* The usual disclaimers apply - Best means favourite, I've not listened to everything (scandalous I know...) and I welcome disagreement!

10. King Creosote & Jon Hopkins - Diamond Mine
Nominated for the Mercury Music Prize 'Diamond Mine' was released back on 28th March. Certainly it's profile has been catapulted by the Mercury mod, but those of us who have loved KC's music for a while will not be surprised by the quality of this album. It's got such quality in depth, heartfelt lyrics and with Hopkins on board the production is second to none.

(Buy the album, download, CD and LP, here)


9. United Fruit - Fault Lines

I was supposed to head along to the Glasgow launch night but fate had other ideas. However nothing could prevent this album, released on 30th May, from being a big hitter this year. Right from the off 'Kamikaze' dispells any possibility that this might be a nice subdued album and rips yer face off and rattles your bones. I've been lucky enough to see them twice this year, and wow is all I can say. 'Fault Lines' is a stunning debut, a stunning album, just stunning. Stunning.

(Download here, buy CD here)




8. Zoey Van Goey - Propeller Versus Wings

So technically ZVG are not a 'Scottish' band. Yet they've ambled about the Scottish music scene for some time now having formed in Glasgow back in 2006. And in signing with influential Scottish label Chemikal Underground and having been produced by Stuart Murdoch and Paul Savage, I'm hypocritcally* claiming them as 'Scottish'. Released on 14th February on the afformented Chemikal Underground, it's a quirky, fun-filled, jolly good fun album.

* read about how I slammed STV for including Snow Patrol in Scotland's Greatest Album.

(Buy the album, download, CD & LP, here)


7. Mogwai - Hardcore Will Never Die But You Will

Seminal post rock Gods Mogwai returned on Valentines day with their seventh LP released on their own Rock Action Records. One of the best named albums of the year, and containing the best named song of the year (you know which one), it's the same beastly guitar driven rock that we've come to know and love. Highlights include Rano Pano, San Pedro and Mexican Grand Prix.

(Buy the CD here, and also available from all good retailers and online stores)


6. FOUND - factorycraft
Released on Chemikal Underground on 14th March lead single 'Anti-Climb Paint' may have been released on a edible chocolate 7", but there's nothing gimmicky about this album. factorycraft is a more stripped back affair, with lead singer Ziggy Campbell's story telling coming to the fore. It's inventive, which one would expect from an art school band, and it's catchy and intruiging enough without being pretentious.

(Buy the album, download, CD and LP, here)



5. Bwani Junction - Fully Cocked

Released on Aksatak Records on 14th November, even though I've only been listening to this album for three weeks before making this list, it's absolutely brilliant. At times it's almost effortlessly brilliant, as the Afro-Caribbean influences sweep throughout the album. But it's not contrived or a premeditated 'sound', it's simply a celebration of sounds and Fully Cocked manages to sound fresh and by references to Auld Reekie maintain a connection to their hometown.

(Download the album here, buy the CD here)


4. We Were Promised Jetpacks - In The Pit Of The Stomach

I have a confession. When Lloyd 'Peenko' Meredith emailed asking for my choices for the BAMS this was number three. However I have since bumped my previous number four up one, due to repeat listening, meaning WWPJ come in at #4. That should in no way detract from what is by all accounts a solid follow up album. Released on 4th October again on Fat Cat Records, it was probably one of the albums I was most anticipating this year. It sounds better than 'These Four Walls', but some of the songs lack a little of the punch of the previous. I feel bad that I'm now comparing this album to the first so I'll stop. Opener 'Circles And Squares' has the same vibe as 'Quiet Little Voices', preview track 'Act On Impulse' hooked my interest with its simplistic beat and showing off the band's penchant for long intro's. And the lead single 'Medicine' is as strong a song as the band have ever released.

(Buy the album, download, CD and LP, here)




3. Remember Remember - The Quickening

After bigging them up in the last section, I really should explain why I've bumped RR up a place since the BAMS. I've hardly had the album off rotation in the last few months. Released on Mogwai's Rock Action Records on 26th September, the album is musically an orchastrated work of art. Keeping the simple method of layering over a repeated beat, this time round, Graeme Ronald has added in fuller sounds by recruiting a band of instrumentalists to his side. At it's peaks, of which there are many, the music soars high, even though there's a tinge of melancholy which was absent from RR's debut. This is music for grown ups.

(Download here, buy the CD or LP here)


2. The Moth And The Mirror - Honestly, This World

I review this album a while back (read here) and reading it back I was rather gushing with praise. And damn right too. I'll direct you the the review for a more in depth discussion, but to sum the album up, it's an album which engulfs you. Capturing you in its folky arms, once invested there is some real post punk angst released, 'Boxes' is a brilliant example of this. Released on 7th November on Olive Grove Records, this is an album which ticks all the boxes I wasn't even expecting it to.

(Buy the album, download or CD, here)



Drum roll please...

1. Bill Wells & Aidan Moffat - Everything's Getting Older

Right from the off I want to stress that this record should not be looked upon as solely an Aidan Moffat record. Opener 'Tasogare' should destroy that illusion straight away, with it's emotional outpouring from Well's piano. Released on Chemikal Underground on 26th April, 'Everything's Getting Older' has probably been my favourite album of 2011 since buying it. Even at the tender age of 25, I find myself identifying with the gloomy Moffat at times. It's an album of unparalled insight, beauty, humour. Fans of Moffat will click with his usual silver tounge, demonstrated especially on 'Ballad Of A Bastard' and 'Glasgow's Jubilee'. But whilst there is the underlying theme of 'ageing', penultimate track 'The Greatest Story Ever Told' is one of the most awe inspiring tracks I've ever heard. A complete understanding of this great adventure we call 'life', Moffat shows he can do beauty just as well as scathing. As for 'The Cooper Top', well no words I have can do it justice. Watch below. And buy this album.

(Buy the album, download, CD and triple LP, here)

Monday, 25 July 2011

T In The Park - Review

Here we, here we, here we fucking go!

Let's go, let's go, let go fucking mental!

T in the fucking park!

And all of the rest of it. Aye it's taken me a ridiculous amount of time to get this review up. I have no excuses to offer other than sheer incompetance. Anyhoo, enough of that, let's get down to business!


Last year at T In The Park, I lost my wallet, my ticket, my t-shirts, burst my shorts, got hit in the face with a can of Tennent's and generally lost all my dignity. It kind of put me off going back again. There is some truth in the nedfest beliefs which the top of this post jokingly alludes to. And to be honest, I was pretty much still the same after the announcement of the first lot of acts back in January this year.

However, the closer the weekend drew, the more I felt the itch. Despite last years mishaps, and the blaring obvious drawbacks of the festival, I have some pretty good memories from Balado and with the full announcement of the T-Break stage, the Sunday line up was looking taster than a salmon roll from the Healthy T (more on that later). So I grabbed a day ticket, roped in a friend, booked the bus, and prepared my Jagermeister concoction along with some warm cans of T. My 7th TITP was on!

An early start was essential, as local boys The Phantom Band were opening the NME / Radio 1 Stage at 12:30. Giving the inevitable walk, and the fact I had to pick up tickets at the box office, plus the hour and a half bus journey, we departed Buchanan Bus Station at 10am, which incidently is never too early for a warm can of T. The day started, pretty much as it would continue, bantering away to really friendly people. Spent the majority of the bus journey chatting to a guy, who's name now escapes me, but who shared my enthusiasm for United Fruit's set later in the day. A United Fruit fan on a bus of 50 people, most under 25 and likely to be Bruno Mars fans? That's what I call a result!

So we get there, and the day get's better as I get through what I like to refer to as the chicken run, a.k.a. the entrace to the arena, with my full cargo of 7 tins of Tennents and a 2 litre bottle of Jager and Red Bull (more on this later). A quick dash get's us to the NME / Radio 1 Stage to join the impressive crowd gathered to watch The Phantom Band. The are a dedicated bunch, and I'm sure there's a few hangovers being repressed right now. They are well assured on the stage, confident and giving of the vibe they could easily handle a slot further up the line up. The band deliver both good music and good chat, ending their set with 'The None Of One' which begins with an eerie acoustic mellowness, culminated in a orgy of heavy bass and funky electro keys. "She bared her teeth to the world" indeed!



Wooft! The Phantom Band rocked it. Now to go and have my face melted in an appropriate measure in the T-Break stage. United Fruit took to the stage, displaying their support for the blogging community with bassist Marco proudly sporting a GlasgowPodcart t-shirt (note to self, make some Scottish Fiction merchandise...) And they fucking killed it, playing with such a raw fury and passion it made me not even notice I was standing next to Scottish Radio DJ and all round legend, Vic Galloway until the last song. They deserved a bigger crowd to witness full on, balls out, no holding back rock. Sporadic head banging broke out amongst those lucky enough to be there.




We followed United Fruit, with a well deserved break in the Healthy T area. If you have never experienced Healthy T, then you are missing out big time. It puts paid to the theory that all festival food equals ring sting the next day. There is a fine selection of food on offer, but for the first of my three (yes three, I'm a fatty) meals that day I had a piri piri chicken baguette. Very tasty. On our way back to the T-Break tent, we popped in on New Zealanders The Naked And Famous. They were bang tidy, as I think I heard them describe their own set. Very well. The crowd were digging their indie vibes, and they certainly did sound good from what we heard.

With a bit of time to burn before FOUND, we decided to go for some log flume action, which was timed well as at that moment the heavens opened for the first time, and pished rain everywhere. Kind of makes paying a fiver for the priviledge of getting soaked on a fairground ride seem a bit pointless. Ho hum.

So to dry off, what better way to do so that by checking out art school rockers FOUND, whose album factorycraft is one of my favourites of this year so far. And they delivered with an excellent start to their set plying through the hits. 'You're No Vincent Gallow' came midway through, and single 'Anti-Climb Paint' a bit later. The sound of the synths and guitars combined well in the tent, however the one drawback was the excessive background noise, and many passerbys took shelter from the rain in the tent. Being an optimist myself, I'd like to think at least a few of them were intriguied enough to stay past the rain and hear the remainder of FOUND's set.



Time for some more fairground rides I hear you say? Ok, the dodgems it was, meaning I could legally drink and drive. However my stash of Tennents was dwindling, so a trip to the bar was in order. And for meal number two of the day as well, a lovely delicious Scottish salmon roll. Delish! And whilst sheltering from the rain, I heard possibly the greatest thing ever. A country cover version of Snoop Dogg's 'Gin & Juice'. Beaut!

It's noticable at this point, that alcohol was taking it's effect as my notes from this part onwards are rather incoherent. However, I'll continue as best I can, as there as more acts which deserve it. We plodded back to the now familiar T-Break stage to check out singer/songwriter Rachel Sermani  valiantly with My Chemical Romance and Bruno Mars for attention. Those of course with any degree of sanity avoid the latter and witnessed the former play a beautifully serene set of folk infused songs, which warmed the very cockles of my heart. And this leads to my one biggest bug bear of the day, that the T-Break tent is not sound proofed in the same way King Tut's tent is. The blarring music of the fairground rides outside the tent was like an unwelcome house guest, or an unruly ned barging in on our dainty little intimate affair.

And given that I've no more notes other than my hazy memory, this seems like a good point to address the T accusations. Yes T in the park does have a large proportion of neddish behaviour and patrons. There are reasons for this of course, and the main one in my opinion is the Slam tent. That's not a diss on dance music at all, but it has to be recognised that the crowd it draws is significantly different to those who would enjoy Rachel Sermani's delicate tunes. However, you can either choose to turn your nose up at the whole affair, or choose to find enjoyment in the elements of T which support and exhibit truly great Scottish music. I choose the latter. I then choose to start drinking Jager, meaning I'm probably no better than the buckie swilling morons. Ce la vie.

And so began the inveitable drifting towards the main stages. I had made a deal with my mate, that if he indulged me the morning to see the above acts, we would forgo the T-Break tent for the RAWK of Dave Grohl and friends, meaning Carnivores and Discopolis would need to wait for another time.

But before that, I enjoyed a wonderful returning set form Jarvis himself, with Brit pop legends Pulp playing on the Main Stage. The Jager was getting tanned, and continuing the theme of meeting friendly people, we got chatting to two lovely ladies from Fife, or somewhere like that, during Pulp. Pulp were all I expected, playing the hits, making me dance, and not staying quiet about the crashing of Rupert Murdoch's NOTW saga, which seems like an age ago now. After Pulp, I was convinced by a less than impartial facepaint artist that I would look good as a panda. Fifteen minutes and £5 later, I did indeed look good as a panda.

Onwards then to the Red Bull Tent for indie lovely's Noah And The Whale. This was a very good decisions. We enjoyed great music, with hits like '5 Years Time', 'Tonight's The Kind Of Night' and 'L.I.F.E.G.O.E.S.O.N.' causing the packed tent to burst out in both song and dance. We enjoyed good company, with an older couple from Englandshire being our buddies this time, and many people being rather alarmed by my facepaint which I'm told looked more like a badger than a panda. And we enjoyed the rest of the Jager. Memories are now hard to come by.

So the night ended with the Foo Fighters on the Main Stage. I've seen the Foo's live many a time, and obviously they put on a show. And the have the tunes to back it up. Yes, recent offerings have lacked the same punch that classic album 'The Colour And The Shape' did, but when Dave starts bawling "One last thing before I quit..." there's not a drunk man with panda facepaint alive that wouldn't try and start a mosh pit with a 14 year old. The Foo's rocked, and I'm also reliably informed that Discopolis earned rave reviews in the T-Break stage. Good for them, they deserve it.

Bus time home, and to reflect on the day. Overall, it was a very good day musically. A wealth of talent, much of it from our bonnie borders. And socially TITP redeemed itself in my eyes. Yes there are downsides. The toilets are rank, the majority of the big acts booked are pretty pish, plenty of arseholes are about pishing and spewing everywhere. But throughout I experienced a commaradie, a bond which every person in that arena shares only for that day. You can be a snob and ignore that, but you're only losing out. We all go back to our lives afterwards, back to whatever makes us, us. But for that weekend in Balado, it's T IN THE FUCKING PARK!

Friday, 8 July 2011

Best Albums Of 2011 So Far...

Unlike The Pop Cop, I think 2011 has been a pretty good year for albums so far. My theme on Monday night's 'Scottish Fiction' show on Pulse 98.4 FM is 'The Best Of 2011, So Far...'

Here's my half year review of my favourite 11 albums of the year so far. 11? Yeah I thought I'd be different. And even though the blog is focused on new Scottish music, I've tried to present a well rounded picture, as you'll see with the inclusion of several big names, several Americans, and even some music from Englandshire. In no particular order...

Bill Wells & Aidan Moffat - 'Everything's Getting Older'


Lyrically it's a raw open wound which has festered into middle age and has no qualms about letting it out. Musically it's an album of such atmospheric presence, and beautifully structured songs. If I had to pick a favourite, this would be it. Read a full review here.



Bon Iver - 'Bon Iver, Bon Iver'

The long awaited second album finally dropped in June, despite a mistaken early release on iTunes in May. Each song on the album represents a place, as you'd probably guess by the song titles. Have a listen to lead single 'Calgary'.


Cat's Eyes - 'Cat's Eyes'

Arising from one of the unlikeliest of pairings, Horror's frontman Faris Badwan joins forces with Italian-Canadian soprano Rachel Zeffira. Influenced by '60's girl groups and Phil Spector's sound, 'Cat's Eyes' has been critically well recieved. Hopefully a Mercury Music Prize Nomination will be in the post.


Noah And The Whale - 'Last Night On Earth'

I absolutely loved Noah And The Whale's last two efforts, and when I heard the single L.I.F.E.G.O.E.S.O.N. back in January. It's an album that celebrates life, and all that's good with it. Which is no bad thing.


Mogwai - 'Hardcore Will Never Die, But You Will'

7th studio album from Glasgow's post-rockers, features a belter of a title as well as rare vocals, and surprisingly less heavy guitars than previous offerings. Certainly a gear shift down, it's more melodic and musically grown up.


Yuck - 'Yuck'

London lo-fi outfit Yuck have been making a name for themselves with this album. One of the best releases of 2011 so far, the band were tipped for big things early on, featuring on the BBC's Sound Of 2011 list.



Anna Calvi - 'Anna Calvi'

Another artist to featuring on the BBC's Sound Of 2011 list was Anna Calvi. Release in January of the year, Anna Calvi has been making a splash on the festival scene already this summer. A wide range of influences have gone into her music, creating a unique and multi layered sound.


Fleet Foxes - 'Helplessness Blues'

There's something special about Fleet Foxes. They seem to effortless weave creative lyrics in with suburbian folk and vocal harmonies, and 'Helplessness Blues' represents a maturing sound which stays true to their roots. Highlight of the album for me is track of the same name, 'Helplessness Blues'.


FOUND - 'factorycraft'

Single 'Anti-Climb Paint' may have been released on a edible chocolate 7", but there's nothing gimmicky about this album. factorycraft is a more stripped back affair, with lead singer Ziggy Campbell's story telling coming to the fore. Read my earlier review here.


King Post Kitsch - 'The Party's Over'

After a what can only be kindly called a cock-up, and the album being distributed freely by Song, By Toad via e-mail, I almost feel obligied to include it. However, I'm glad I did get it, because it's a wonderful album from a fantastic Scottish band who deserve all the recognition they get.

King Post Kitsch - Walking on Eggshells by Song, by Toad

Song Of Return - 'Limits' 

Anyone who has visited the T In The Park website over the past few weeks will have heard the thumping 'Trajectory'. They may not have known that it was a song by Glasgow's own Song Of Return who were born out of the ashes of Union Of Knives. And what a return it is, like a phoenix from the flames.

Friday, 3 June 2011

Super Vinyl Adventure Club

Yeah, I started a club and gave it a childish name. So what if I'm the only member, despite what my wife says, it is big and it is clever! There almost was no super adventure this week. Severe lack of money has scuppered all gig going, and it meant I certainly had no cash to splurge on vinyl. What to do, what to do? Luckily I remembered I still had some HMV vouchers, so the adventure was back on! Here's how I got on:

Venue

So the afformented lack of money forced my hand this week. His Master Voice it was, the Argyle Street branch. Now you don't need me to tell you, that HMV is no longer the force it once was. Music, especially vinyl often takes a backseat amongst the more lucrative markets of video games, blu-ray and DVD's. To it's credit Argyle Street HMV does have a vinyl section, which is already more than most stores. Consisting of three racks, the selection isn't great. And the stock isn't readily replaced, meaning most of the LP's have been there since my last visit. The other drawback is HMV, despite what they may claim, do not want to deal in new music. They want safe, tried and tested music, which will sell. This means most of the vinyl is re-issues or mainstream artists. To my surprise however, I found (I use the word loosely, it was sitting right there) a solitary copy of FOUND's 3rd LP factorycraft. More on that in a minute. Despite the poor selection, and my general disdain for HMV, the staff member who served me was pleasant, and engaged in conversation. He certainly would have been at home in an independent record shop. Soundtracking my whole adventure was Bobby Womack - Across 110th Street, possibly from the Jackie Brown soundtrack, I don't know I didn't ask.

Purchases

As mentioned above, I bought FOUND - factorycraft LP for £20. Certainly more pricey than a CD, however this is standard. I do reserve a special spot for artists that price their vinyl release the same as the CD, but that is few and far between. Like The Seventeenth Century last week, FOUND get brucey bonus points for included free mp3 download codes. The artwork is also pretty nifty. Black and white prints of machine bits against a bold background of simply colour.


The music is very good. I wasn't overly familiar with FOUND, so their experimental style was near enough new to me. Anti Climb Paint - Lead single is a catchy number, and other stand out tracks for me include I'll Wake With A Seismic Head No More, Johnny I Can't Walk The Line and Machine Age Dancing. The album as a whole has a kind of interchangable feel. It's inventive and foot tappingly good at times. It ticks all the right boxes without being pretentious or trying too hard something many other indie rock bands can be accused of. The influences of post-modern rock are there to be seen, but there is also slices of pure pop (a la` The Cure) which break through at times. All in all, a rousingly good album. Have a listen to Anti Climb Paint here.