Scottish Fiction's Top 25 Singles / EP's of 2013

Happy New Year to y'all.  2013 was another feather in the cap of fantastic music emanating from Scottish shores.  The rise of CHVRCHES shows we do electro-pop with the best of them.  The return of Boards of Canada demonstrates we've not lost that shoe-gazey EDM touch either.  In between there's been hoards of fantastic folk, positive pop, humongous hip-hop and incredible indie to treat ears of all frequencies. 

On Christmas day we aired a special episode of Scottish Fiction which was a look back on some of our favourite singles and EP's for 2013.  You can listen to that in full here or via the embed at the bottom of the page.  Here's the majority of those tracks, plus a few more, making this post my favourite 25 singles or EP's from 2013.

In no particular order, and with no other judging criteria than my own personal tastes here's Scottish Fiction's Top 25 Singles / EP's of 2013

Prides - Out Of The Blue

Name changes have never sounded so good.  Previously Midnight Lion, now Prides, the Glasgow three piece re-invented themselves to fist pumping effect.  Dancing like a maniac to this tune at Wickerman was a highlight of 2013.

Campfires In Winter - Picture of Health EP

Following single White Lights released early in 2013, September's release of Picture of Health EP cements Campfires In Winter's status as one of the finest emerging bands in Scotland.  Album next surely?

Book Group - Victory Lap / A Lowdown of a LOUD Sound



Début single from Book Group released via the influential Gerry Loves Records.  Insprining, uplifting and gloriously inflectious.  Book Group, don't you ever change.

Young Fathers - I Heard

Edinburgh hip-hop trio Young Fathers hooked many people with this smooth, emotional and soulful cut from their second EP Tape Two.  Released on the legendary Anticon label, lead single I Heard has the power to worm inside your brain for weeks.

Atom Tree - Tide of Thorns EP

There is a wave of artists who are continuing to push electronica music in new and exciting directions.  Glasgow producer and musician Atom Tree is but one of them.  Debut EP Tide of Thorns leads the pack and this track Die For Your Love evokes fluorescent memories of euphoria on a blissful come down.

Nevada Base - Foresight

Having never been a Nevada Base fan before this track I feel almost sheepish in the realisation that they are indeed Scotland's answer to LCD Soundsystem.  Foresight is an accessible jump on point for those in search of jerky rhythms and groovy basslines.

Naked - Lie Follows Lie

Spooky, eerie and haunting.  Check, check and check.  Not the most googleable names in music, but once you've found Naked, and this July release from the Edinburgh based three piece, you won't want to let go.

Giant Fang - Aqualung



When I reviewed this track back upon it's 23rd June release I said it had a 'freedom-of-the-summer' vibe and flavoured by the influence of M83.  In the midst of winter Giant Fang's Aqualung transports you back to the warmth of a carefree summer.

Lovers Turn To Monsters - Skeletor EP

Ok so I know I said this was in no particular order, but I'm putting it out there Lovers Turn To Monsters Skeletor EP is my favourite EP of 2013.  Intelligent and brutally honest lyrics with simplistic and heart tugging guitar playing, it's on a comparable scale with the indie lo-fi artists that young Kyle Wood calls his heroes.

Fake Major - Have Plenty Of Fun

Four armed singer songwriters don't come much better than Richard and Jarv of Fake Major.  Released on Comets & Cartwheels back in May of this year, Have Plenty of Fun proves that sometimes song writing partnerships are much more important than bells and whistles.  This track Little Researcher is a gem.

Michael Cassidy - Everybody's Scared

Fans of Paisley musician Michael Cassidy will be familiar with this track.  Everybody's Scared has been given the full band treatment ahead of the release of début album My Electric Heart, and re-released with a renewed sense of warmth and purpose.

DEATHCATS!!! - The Raddest EP



Bursting with scuzzy feel good vibes, channelling the blitzkreig ethos of The Ramones and the lo-fi touch of Fugazi, DEATHCATS might just change your life.  Failing that The Raddest EP is awesome and deserves your attention.

Honeyblood - Bud

 Scotland's answer to The Breeders and Throwing Muses, Honeyblood released Bud on continual Scottish music supporters FatCat Records.  It's garage rock with a laid back veneer and one of 2013's finest singles.

Poor Things - Hurricane Poor Things

Poor Things are another band who mine '90's American alt-garage rock for influence.  And to fantastic effect too.  Hurricane Poor Things ambles with intent and purpose.  Check it out.

Pinact / Min Diesel - Split 7"

Sneaking two bands in for the price of one here, this split 7" released in September by the Cool Your Jets label showcases Pinact and Min Diesel in all their DIY alt-rock glory.

Gone Wishing - The Gone Wishing Tape

The discovery of 2013 for me was the music of Owen McLaughlin.  In it's solo guise Owen plays under the moniker of Gone Wishing and his debut EP is heartfelt, gutsy and tender in just the right amounts.

Lidh - Rockpool Hospital EP

This video harks back to the play cartoon imagery used by The B-52's, but Lidh's music draws from a much wider range of influences combining in a slightly rough around the edges folk pop.  Single Rockpool Hospital is the pick of the bunch from her EP of the same name.

Mast - Romance

Former The Darien Adventure man Liam Rutherford struck out on his own in 2013 as Mast.  He struck gold with this shimmering delightful track Romance

John Knox Sex Club / Over The Wall - Split 7"

With both bands hiding in the shadows for most of 2013, a combined return via a Gerry Loves Records split 7" was a stroke of genius on everyone's part.  Animals packs the usual John Knox Sex Club punch, and Tell Her I Love Her bursts with inventive fun pop.

Garden Of Elks - Extended Play

Shouty fun pop at it's best, Garden of Elks seal the deal with a pinky promise (so they say) and rock raucously with a Pixies induced stupor.  

Mad Nurse - The Rip

Not a lot is known about Mad Nurse expect they are a four piece from Edinburgh who specialise in epic, layered post rock tinged creations.  The Rip EP is one of 2013's most unrecognised releases.

Shambles Miller - Deadpool

Shambles Miller Does It Again.  Is what the headlines would say in a world where the Glaswegian singer-songwriter replaced Beyonce as the world's biggest pop star.  Whilst we wait for that, latest single Deadpool cheekily muses on the big questions.

TeenCanteen - Honey

All girl sunshine pop never sounded so good.  Taking their lead from the girl bands of the 60's and 70's, Glasgow's TeenCanteen shone brighter than most with this début release Honey.

Scottish Fiction Podcast - 25th December 2013 - Christmas Special

Originally airing as a Christmas special on 25th December, this show is a Scottish Fiction round up of the year we have just enjoyed.  2013 has been a fantastic year for Scottish music, and we run through some of our favourite tracks and EP's, with a festive smattering of alternative classics. 


Prides - Out Of The Blue
Randolph's Leap - One More Sleep 'til Christmas
Campfires In Winter - Picture of Health
Book Group - Victory Lap
Tom Waits - Christmas Card From a Hooker in Minneapolis
Collar Up - Jam Jar Full of Wasps
Young Fathers - iHeard
Machines In Heaven - Mistletoe And Crime
There Will Be Fireworks - In Excelsis Deo
Atom Tree - Tide Of Thorns
Nevada Base - Foresight
Naked - Lie Follow Lie
Campfires In Winter - Christmas Song
Giant Fang - Aqualung
Eels - Everything's Gonna Be Cool This Christmas
Lovers Turn To Monsters - Skeletor
East Coast Defector - Xmas At Home
Fake Major - Little Researcher
Michael Cassidy - Everybody's Scared
ballboy - Merry Christmas To The Drunks, Merry Christmas To The Lovers
DEATHCATS!!! - I Wish It Was Summer
Honeyblood - Bud
Poor Things - Morgan
Pinact - Beauty Freak
Gone Wishing - Decoys
Lidh - Rockpool Hospital
Mast - Romance
Idlewild - In Remote Part/Scottish Fiction


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Scottish Fiction - 25th December 2013 - Christmas Special by Scottish Fiction on Mixcloud

Scottish Fiction Podcast - 9th October 2013

No live guest this week, so it was me on my todd, chattering away like a parrot.  (See the picture has a very tedious relevance).  However making up for this is the return of features such as Cover Lover, Re-Mixing It Up and Tweet-a-track.  There is also a whole host of great new music from The Grand Gestures, The Little Kicks, The Spook School and more! 

The Beta Band - Squares
Atom Tree - Die For You Love
Giant Fang - Golden Age

Cover Lover - The Deep Red Sky - Kids

Fractures - The Walk
The Grand Gestures - Running With Scissors
Gone Wishing - This Barren Ground
Trapped In Kansas - Only Child
The Spook School - Will You Always Be My Friend

Re-Mixing It Up - Hector Bizerk - Burst Love (Machines In Heaven Remix)

Fat Goth - Debbie's Dirty Harry
Honeyblood - Bud
The Yawns - Summer's Wasted
The Barents Sea - For The Record
The Little Kicks - Girl
CHVRCHES - Science/Visions
Over The Wall - Tell Her I Love Her

Tweet-a-track - Lidh - Rockpool Hospital - As chosen by @ed_sings

The Twilight Sad - Cold Days From The Birdhouse
Blood Relatives - Deerheart


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Scottish Fiction - 9th October 2013 by Scottish Fiction on Mixcloud

Single Review - Giant Fang - Golden Age

Nostalgia.  It’s not what it used to be.

Ok, there’s nothing we can do about that hoary old pun, it’s happened and we all just have to move on with our lives. 

Golden Age the forthcoming single from Giant Fang is deeply, pleasantly nostalgic in both musical form and lyrical content.  It’s a sort of synthy, expansive thing. M83 is the most obvious comparison, a lot of the same sort of musical elements are there, like haunted three-note keyboard lines, synth bass and half-time drum machines and echo hanging over everything like fine mist.  Whilst M83 always sound like wandering city streets alone at midnight, Giant Fang sound more like they belong on the closing credits of some coming-of-age film from 1986 where high school misfits who hang out in a public library or something learn a lot of lessons about life, friendship and growing up.  You know the kind of thing.  They’re also a lot less French, and you can hear the lyrics.

"We were the saviours / we were the sons of a golden age" is the refrain, whilst a high, happy/sad melody tugs at you and reminds you of how nice it was to feel that optimism.  There’s a sort of suggestion implicit in the music that maybe, yeah, just maybe, you could still feel that way again, from time to time.

If I had a criticism, I think they could do to diversify their influences.  This is a good song but very much cut from a pre-existing sonic template.  It also ends kind of abruptly, just sort of stopping rather than concluding, but overall this is a very enjoyable track.

- Tom Everett

Giant Fang - Golden Age is out on Pop unLTD on 20th October.

We're Only Here For The Banter - Giant Fang

Life on the road can be tough, especially for a tour manager.  Which is why it's mind-numbingly impressive that producer and musician Douglas Wilson found time to put together his alter-ego Giant Fang.  What started off as Wilson writing and recording each part himself, has grown into a full scale band, achingly passionate live shows, and some of the best windswept '80's drenched electro anthems this side of CHVRCHES.  I caught up with the man himself for a chat.


Hello, how are you?

I’m good thanks.  Good, despite being in Wolverhampton.

It's the question everyone hates, but could you tell us a little bit about your music and your influences?

Giant Fang is something that I started around three years ago when I was working full-time as a tour manager.  I began writing music in spare time on the road with the intention of putting a band together, however touring full-time doesn’t really allow you much of a social life, so I decided to just do it all, or as much of it as I could myself.  I have always aimed for a big, widescreen sound; I take a lot of influence from bands like of Sigur Ros and Mew, however I’ve probably listened to a few too many Roxette albums in my time, so I guess a lot of the sounds and texture I use are from that era.  I love how 80s music is pretty much just everything to the max all the time.

What's your song-writing / creative process like?

Slow.  Very, very slow.  Having spent so much of my recent life on tour, finding spare time, and more importantly spare time when you’re not completely drained, can be pretty difficult. When I first started, and out of necessity more than anything else really, I would try and lock myself away my bunk on the bus and just immerse myself in it.  Touring is really not a healthy creative environment, so it’s been good this year to be able to take time off from it and allow myself the space to sit down and actually just write in my own time.

What could we expect to see from a live show?

The live show is full-band and high energy, I have some great musicians who play with me and we try to recreate as much live of what is on record as possible.  I’ve tried to keep live shows to a minimum, as I want to concentrate on getting the album done, but it’s very hard because it’s my favourite part of the whole thing!

What would you say is your greatest achievement so far?

I think actually just getting to the stage where I released my first single, that was an incredibly proud moment for me.

How has being on the road as tour manager and session musician shaped how you're approaching Giant Fang?

I guess a lot of new musicians are impatient when they start out, they want to sign a record deal, they want to go on tour and party and because of that, they rush into things.  I have worked with artists who have rushed into putting out albums or rushed into working relationships that really didn’t work for them, and it’s really tough.  I’m under no illusion of how difficult it can be to be successful as a recording artist, so for me it is very important that everything I do is done on my own terms, because at the end of the day, I’m doing this purely for the enjoyment of creating music.

What have you got planned next?

My next single is out November 4th and I’ve got a couple of shows lined up in the UK.  I’m also working on collaboration with one of the artists I’ve previously toured with, which is very exciting.  Beyond that, I’m just writing for the album.

What other artists (Scottish or not) would you recommend to the Scottish Fiction readers?

I’m listening to the new CZARFACE record a lot right now.  It’s Inspectah Deck from Wu-tang with 7L & Esoteric, so it’s pretty retro sounding, but really cool.  I also love the Chvrches record, it’s as good as I’d hoped it would be.

Thanks for speaking with us, would you care to share a joke with us?

I only know one so don’t shoot me if it’s shite….

What’s grey and would kill you if it fell out of a tree? 

A carpark.


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Scottish Fiction Podcast - 25th September 2013

If you pay attention round these parts you'll be well aware of my gushing blogger love for this week's live guest Lovers Turn To Monsters.  Possessing an ability to pen open, honest and emotionally charged lyrics, twisted in with pop culture, geeky jokes, and personal highs and lows, he is, in this blogger's opinion one of Scotland's under appreciated songwriters.  Coupled with lo-fi melodies and a goofy demeanour, it was a pleasure to welcome Kyle back onto the show.

As well as three live tracks courtesy of my guest, there was new music from Atom Tree, Giant Fang and Hector Bizerk, as well as the second instalment of my Oxjam: We're Skint, They're Skinter podcasts.

Atom Tree - P.S.

Smog - Chosen One - As chosen by Lovers Turn To Monsters

Lovers Turn To Monsters - I Don't Think You Like Me - Live in Pulse 98.4 FM Studio

Owen - Playing Possum For A Peed - As chosen by Lovers Turn To Monsters

Lovers Turn To Monsters - I Miss You - Live in Pulse 98.4 FM Studio

Lovers Turn To Monsters - LA Gear - Live in Pulse 98.4 FM Studio

Andrew Pearson & The Riflebirds - If My Dreams - As chosen by Lovers Turn To Monsters

CHVRCHES - We Sink

FEATURE - Oxjam: We're Skint, They're Skinter

Giant Fang - Golden Age
Woodenbox - Royal Mile
The Deadline Shakes - Bright Spot In A Bad Year
The Last Battle - Perfecting The Art (Of Saying Nothing)
Hector Bizerk - Welcome To Nowhere


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Scottish Fiction - 25th September 2013 by Scottish Fiction on Mixcloud

Wickerman Review - Saturday

Day two of Scotland 'alternative festival', and the Scottish Fiction team are awake, if not fully compos mentis, fed and water, and ready for a full on day of great music, centred once more around the Solus Tent and the goNORTH Festival Tour Tent.

A change in the advertised stage times (or perhaps a misprint in the lanyards) meant that my early afternoon trip down to the Solus Tent to see Giant Fang, instead meant I was able to catch some of the The Recovery instead.  Brash, loud and angry metal coated rock was the order of the day, sharply dispelling any remnants of sleep that were lingering.  Lead singer Andy prowled the tent, spitting vocals with fury and passion, and giving one of the most confident and self assured displays of any front men all weekend.  Not content with the sizable crowed that had gathered, he proceeded outside the tent shepherding in punters from the blaring sun to the sweaty tent for their daily dose of hardcore.

Staying in the crushing heat of the Solus Tent, four piece instrumental post-rockers Vasa provided another masterclass in layered experimental rock music.  Giving tracks from their début EP 'Never Have Dreams' an outing, their carefully designed sound thrusts the listener along an interstellar path, each boom of Alex Gordon's bass drum propelling us further into the unknown.  But it's a journey the crowd make with aplomb.  Vasa are a post-rock band with pop sensibilities, their musical ears able to tag onto a catchy hook and build around that.  From the already mentioned EP, 'Cynthia' is a real stand-out with it's rhythmic melodies and enthusiastic execution, guitarist Scott Coupar throwing himself around the stage and in the photo pit. 

The goNORTH Festival Tour Tent allowed me the opportunity to right a wrong that has lingered for some time.  Despite actually having put the band on a gig bill back last October, I've never actually seen Book Group play live.  Their charming brand of indie-folk has already drawn comparison with the heart-on-sleeve style of Frightened Rabbit, and it's not hard to see why.  The crowd lap up each track, including a group of toddlers that probably bring the average age of the whole tent down by a good decade, and one break dancing maestro who answered the call to dance very well.  Ending with their strongest track to date, 'Year Of The Cat', lead singer Graeme Anderson climbs the front barrier while bellowing out through a megaphone the final refrain of "don't you ever change".  The only change one suspects for Book Group, will be more a higher billing and bigger audiences.

Douglas Frew makes melodic and catchy electronica music under the name Giant Fang.  For this Wickerman set in the Solus Tent, only his second live show, he has bolstered his set up to include a full backing band, provided by members of Prides and Take A Worm For A Walk Week.  Recent single 'Aqualung' was made for moments like this, the track soaring with all the airs of a festival anthem, Frew and the band bringing out the big notes at all the right times.  It's great to be able to hear a full set of Giant Fang material, and there's a couple of tracks that pique my interest including a very minimalist '80's sounding song and one that chimes familiarly with The Killer 'When You Were Young'.  'Kingdom' is another one of those magic moments, Frew majestic vocals gliding over the glittery electronic melodies, and bringing the summer sun inside this small tent.

Similar to my predicament with review Hector Bizerk for Friday's review, Fake Major are a band I've seen live a good few times over the past months.  What is also similar is how my awe never fades and my enjoyment increases each time they perform.  It should never be understated just how in sync Richard Ferguson and David 'Jarv' McGinty are.  The vocals gleefully intertwine, each man knowing exactly how to complement the other.  With a set packed with their usual crowd pleasers such as 'Little Researcher', 'Love in the Mundane' and closer 'Fiction' it's another festival under their belt, and another fantastic performance for the band.

Garden Of Elks transport the crowd back to the early '90's.  Not via a DeLoran or Tardis, but through the power of their grungy alt-rock rhythms they prove the power of the Seattle underground scene still holds sway.  Lead singer Niall yelps "fun, fun, fun, fun" in a fusion of the Pixies and The Beach Boys, whilst hunched behind the drum kit dodging the low hanging tent canvas, Kirsten lashes rhythmically with raw punk power.  'This Morning We Were Astronauts' with it's angular guitars and dark vocals proves a popular highlight.

When Vic Galloway says a band are his favourite rock band on the planet you take notice.  Fat Goth are that band.  Vic isn't the only to sit up and take notice, rawk journo types Kerrang are feeling the Fat Goth love, as are the many faces gathered.  With scrumptious basslines, growling guitar hooks, and killer drum beats, the band shred through tracks off their 'Stud' album, including 'Creepy Lounge', the intentful 'Debbie's Dirty Harry' and final song 'Surf's Down' which is greeted with an emphatic moshpit.

Glasgow five piece The Yawns are another Scottish Fiction gig alumni on show at Wickerman, proving that we share great taste.  The band are led by Sean Armstrong, who throughout the set ambles about on stage nonchalantly.  Luckily their appeal is not their stage presence or stage banter, but their sun kissed surf pop, which on a day like today is the perfect tonic.  'Summer's Wasted' kicks the set off, and that breezy alt-pop vibe continues throughout.

When I started this blog I said I wouldn't write negative reviews.  Afterall, what's the point of writing about something you didn't enjoy.  So on that note I can confirm that The Enemy and Amy McDonald played on the Summerisle Stage. 

One thing to be thankful for is that the repelling power of Amy McDonald on the main stage may have pushed people into the smaller tents for a musical discovery.  On the benefiting end of that effect are Prides, Glasgow's next big electro-pop band.  The band have rocketed their way through, pretty much on the strength of set closer 'Out Of The Blue', so far their only track to hit the internet, but they are far from a one tune band.  Neither are they comprised of one sound either.  While it's true there's a flavour of '80's synth-pop running through, the band know when to hit the dizzy heights and when to pull things back and display a knack for heart-on-sleeve writing.  I'm not yet familiar with track names yet, but 'Let It Go(?)' is sheer baby making music, such is the funky soulful vibe.  Despite trepidation about filling a 45 minute headline slot, Prides masterfully and energetically make that time fly by.  One of the highlights of the weekend, and having brought the Scottish Fiction / campsite neighbourhood watch along with me, we all leave the tent ready to silent disco the night away.

Scottish Fiction Podcast - 5th June 2013

 

It's warm, it's sunny, Scotland don't quite suck as much as football as they did two days ago, and there's a whole heap of music packed into the latest episode of Scottish Fiction.  Oh and there's loads of tadpoles too, but that's completely unrelated to anything else.

Contained in this two hours is a Re-Mixing It Up track from Giant Fang and Prides, a Cover Lover track from Rachel Sermanni, new music from Lovers Turn To Monsters, Birdhead, Quickbeam, Galleries, Primal Scream and many more.  There's also a short documentary looking at the future of record shops.  Enjoy!


Primal Scream - Invisible City
Capitals - Sinking Ships
Book Group - BOP
eagleowl - eagleowl vs. woodpigeon

Cover Lover - Rachel Sermanni - Ae Fond Kiss

Lloyd James Fay - From The Eyewall
Frightened Rabbit & Manchester Orchestra - Architect
Sparrow And The Workshop - Valley Of Death
Birdhead - Time Lag Accumulator
Safe Houses - Phyrrhic

Tweet-a-track - Le Thug - Swam - As chosen by @dodpod24

Sean Armstrong - Midnight

Documentary - Broken Records: Have Record Stores Had Their Day?

Lovers Turn To Monsters - Skeletor
Quickbeam - Mountains
Scarlet Shift - Clouds
Human Pyramids - Relapse

Re-Mixing It Up - Giant Fang - Aqualung (Prides Remix)

How To Swim - Midnight Steak

Galleries - Great Comets (of 1910)

Halfrican - Guillotine

Subscribe/listen to the podcast via iTunes.

Scottish Fiction - 5th June 2013 by Scottish Fiction on Mixcloud

That's My Jam #17 - Giant Fang - Aqualung

Aaaaaaah it's a Giant Fang!  Oh wait, it's not some kind of monstrous tooth, it's Glasgow musician and producer Douglas Wilson.  And rather than being big and bloodsucking, this Giant Fang sticks bloody great sounds like 'Aqualung' on the internet.  Although this track has been about for a few months, it's getting a release on 23rd June via POP unLTD

Wailing guitars and soaring synths punctuate the extended intro.  Wilson's vocal are at their strongest during the emphatic chorus and you can picture him wailing "the sun" over and over again, whilst spinning round in open field with the sun belting down.  The track has that 'freedom-of-the-summer' vibe and flavoured by the influence of M83.  Result!

Scottish Fiction Podcast - 27th February 2013

This week we are joined by Croy four piece Campfires In Winter for a stramash of live music and banter.  Hear them explain their post-rock-pop roots, forthcoming plans, and the undoubted power of '90's rave music!  As well as live music from CiW, there's new music from Frightened Rabbit, The New Fabian Society, Giant Fang, Vasquez and more!
The 'Aye Tunes Friday Freebie' track is from Run/Lucky/Free, there's another fantastic 'Cover Lover' track from Flutes, and our 'Re-Mixing It Up' track is a Becky Becky remix of Kid Canaveral's 'Low Winter Sun'.  Plenty of enjoyment for your eardrums.


Vasa - Cynthia - As chosen by Campfires In Winter

Campfires In Winter - Twelve Thousand Drops - Live in Pulse 98.4 FM Studio

Broken Social Scene - Ibi Dreams Of Pavement - As chosen by Campfires In Winter

Campfires In Winter - See Us There, Both - Live in Pulse 98.4 FM Studio

Campfires In Winter - White Lights - Live in Pulse 98.4 FM Studio

Darude - Sandstorm - As chosen by Campfires In Winter

Conquering Animal Sound - The Future Does Not Require
Homework - It's All Over

Aye Tunes Friday Freebie - Run/Lucky/Free - Red Blood, Blue Heart

The New Fabian Society - Cylcophymia

Feature on Natalie Pryce

LUCA - Summer

Cover Lover - Flutes - What Is Love

Giant Fang - Kingdom
Vasquez - Tiger Shark

Re-Mixing It Up - Kid Canaveral - Low Winter Sun (Becky Becky Remix)

Frightened Rabbit - Backyard Skulls


Subscribe/listen to the podcast via iTunes.

Scottish Fiction - 27th February 2013 by Scottish Fiction on Mixcloud