Showing posts with label Plum. Show all posts
Showing posts with label Plum. Show all posts

Sunday, 22 December 2013

EP Review - Plum - Betsy Thunder


Plum, or Shona Maguire as she doesn’t like to be called, has been a busy bee.  During her studies at London’s Point Blank Music College, she was approached by Summer Rain Recordings.  Subsequently, two EPs were released.  Not too shabby.

She’s been on a roll ever since.  Highlights include being the only female artist ever signed to Benbucula Records and self releasing critically acclaimed The Seed last year through ‘fan-funding’.  The devil will find work for idle hands to do.

As 2013 is drawing to a close, Plum has decided to thrust another EP at us.  Betsy Thunder is a beautifully synth heavy and thorough affair.  A chilled out vibe is apparent throughout and is displayed through an ridiculous range of instruments.  Almost all of which are played by Plum herself.

Of the tracks on display here Casting Shadows is euphoric and synth heavy.  Precision is key here.  Catapult is powerful and electronically haunting, utilising a creepy glockenspiel, quite possibly played by ghosts, towards the end of the track.  Only Human has a tinge of Bjork whilst To Destroy Everything is what Grimes would sound like if she had gave the speed the miss whilst recording Visions.

Overall Betsy Thunder is a creative EP which proves quantity and quality is not a problem for Plum.  A tasty stop-gap to keep fans happy on her way to album number two.

- Holly Callender

Plum - Betsy Thunder is out now and available to download here and other online retailers.

Saturday, 26 October 2013

Scottish Fiction Podcast - 23rd October 2013


After the distinct lack of beards on last week's show, into the studio came Ross Hoon owner of mighty fine facial hair and better known as Blue Rose Code.  We chatted about his trip to Nashville, his album North Ten, and the process of reconnecting with Scotland and it's culture.  In amongst that we managed to squeeze in three beautifully performed live tracks.  The second hour of the show is feature packed, with Re-Mixing It Up, Cover Lover and Tweet-a-track, plus new music from Plum, Roman Nose, The Leg and Saint Max & The Fanatics.  All the best new Scottish music packaged for your ears.

Washington Irving - Palomides

Karine Polwart - Salters Road - As chosen by Blue Rose Code

Blue Rose Code - From Wester Ross To Nova Scotia (Live in Pulse 98.4 Studio)

Willy Mason - Into Tomorrow - As chosen by Blue Rose Code

Blue Rose Code - Acquainted With The Night / Silent Drums (Live in Pulse 98.4 Studio)

Darrell Scott & Paul Brady - Shattered Cross - As chosen by Blue Rose Code

Blue Rose Code - One Day At A Time (Live in Pulse 98.4 Studio)

Rachel Sermanni - Black Hole
Dora Maar - Jessica Says
Saint Max & The Fanatics - Soul Surrender
Monoganon - Easterhouse

Re-Mixing It Up - Roy's Iron DNA - Only You (Stanley Odd Remix)

Plum - Death Comes With A Bow
Roman Nose - Coming For You
Donna Macoicia - Highlights

Tweet-a-track - Fire Engines - Get Up And Use Me - As chosen by @travisdurden

The Leg - Chicken Slippers

Cover Lover - The Shiverin' Sheiks - Guided Missles

Blindfolds - Lucid


Subscribe/listen to the podcast via iTunes.



Wednesday, 9 October 2013

ListLive: Roman Nose, Plum, plus DJ sets - Ticket Giveaway!


Fancy winning two tickets to see Roman Nose and Plum, plus DJ sets from Dirty Noise, Lukebusy and Marine (Ladytron)?  We got them to give away thanks to All Night Long Promotions and The List Magazine, and winning couldn't be simpler. 

Simply email   scottishfiction@mail.com   with your name and email address, and we will pick a winner next Monday 14th October to go along to the gig with a friend.

The gig takes place at Stereo in Glasgow on Thursday 17th October and is the first of a new run of gigs from The List magazine.

ListLive showcases some of the very best up-and-coming and established musical talent from the city and beyond.  Prepare yourself for a regular injection of multi-genred artists with a different theme each time.  This time round they've managed to bag a DJ set from Marnie (Ladytron), the gorgeous electronic beats of Plum, DJ noise from Square K, an infrequent live appearance from mad masked tech-electro trio Roman Nose, then Dirty Noise Crew B2B Lukebusy DJ set until the early hours.

Good luck!

Wednesday, 16 May 2012

Scottish Fiction Podcast 14th May 2012


You the good public were invited to vote for your favourite album for The SAY Award longlist on Monday.  The votes are now in, and the Shortlist of ten will be announced tomorrow.  On Monday's show we played a track from our ten picks, as well as plenty of great new music from Plastic Animals, Satellite Dub, PAWS and more!  There's also a track from Plum whose album we recently reviewed, a Peenko Friday Freebie and some previews of Stag & Dagger which takes place on Saturday.  Enjoy!

We Were Promised Jetpacks - Medicine
Die Hard - In The Garden
Bill Wells & Aidan Moffat - The Greatest Story Ever Told
Isobel Campbell - Walk Away
Plum - The Truth & The Knife
Remember Remember - White Castle
Wolves Of Winter - The Thaw
Happy Particles - Slowness
The Mouse That Ate The Cat - u.r.all.i.c
Django Django - Wor
Conquering Animal Sound - Crawl
Plastic Animals - Yellowcraig
Steve Mason & Dennis Bovell - Letter Dub
The Phantom Band - Mr. Natural
Satellite Dub - Plans Of Smoke And Mirrors

Peenko Friday Freebie - Randolph's Leap - Counting Sheep

Michael Cassidy - Till You
FOUND - Anti Climb Paint
PAWS - Misled Youth
King Creosote & Jon Hopkins - Your Own Spell
Jonny - Candyfloss
Miaoux Miaoux - Emitter
Mogwai - San Pedro


Sunday, 13 May 2012

Album Review - Plum - The Seed


'The Seed' is a concept album of sorts, gifted to the world by singer songwriter Shona Maguire.  Released under the guise of Plum, a childhood nickname, it's the concept of taking an idea and allowing it to grow naturally and flourish.  The album was released on 7th April, and much like the concept, I've been sitting on the beginnings of this review since then.  I hope Plum is sympathetic to my plight as it took a few weeks to formulate my thoughts about the album.

Album opener 'The Seed' possess a stormer of a bass line, one which slightly betrays the direction the album will take over the course of it's twelve tracks.  "You planted a seed in my mind" Maguire proclaims, the idea of which "made my heart go blind".  It's a verse which makes me think of the film Inception.  The track quickly turns into an electro pop song which a good number of chart stars at the moment would be proud of.  It's a very strong opening to the album.

'The Truth & The Knife' is a much slower track, pulling back on the heavy electro vibe in 'The Seed'.  Combining xylophones and bongos there's a eerie tribal feel to this track.  Maguire's voice hangs in the air, and swirls round your head.  'The Truth & The Knife' is my favourite track on the album.

Things continue on much the same vein with 'Dirt' and 'Dust' which follow.  'Dirt' has a little more sparkle to it, whilst 'Dust' revisits the tribal element but in a more simplistic and minimalist vein.  These two tracks, along with next song 'Smile' do seem to merge into each other a little.  With the minimalist electronica production behind Maguire's voice, it is hard to distinguish the tracks at times.

I'm reminded of trip-hop forgotten boys Sneaker Pimps by the time we reach 'Chrysalis'.  There's an incredible hypnotic loop which dominates this track, and it's clear by now that this album is not at all what I had expected.  'Butterflies' is softer and mellower, although my one complaint would be that I want to hear the vocals soar towards the end.

Maguire has a beautiful voice, and when the bells and whistles are removed it really does ensnare you. 'Butterflies' shows that as does 'Quietly' a stripped back track, as the name suggests.  It's just skin and bones, vocals and acoustic guitar.  A lovely little double to shore up the middle of the album.

It's at this point I have to reveal the source of my quandary in listening to this album.  It seems to me that the 'seed' from which this album grew, was to make an electro-pop album, or at least to experiment in that genre.  Yet I'm unsure how much Plum really wants to be like Florence & The Machine, Marina & The Diamonds, Nikki & The Dove, et al.  There's restraint, and a lot of the songs are far too dark to ever really be in the same ball park as those previously mentioned albums.  Plum's strenghts to me are when things are stripped back, and her voice is brought to the fore.  That isn't to say that 'The Seed' is a bad album, it's just things could be far more interesting if the production was scaled back a little.

Overall, 'The Seed' is an intriguing album.  I kept coming back to it, and that really is the mark of a good album.  It's not perfect, and there's things I'd change, but then what do I know.  Check it out yourself and make up your own mind.

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Wednesday, 25 April 2012

Scottish Fiction Podcast - 23rd April 2012


Another week, another Scottish Fiction show.  It was a night of great music and desperation as we waited on tenterhooks for our special guest, Beerjacket, to arrive.  And great credit must go to one of the nicest men to have graced the show, as he battled through mis-direction, warring gangs and foxes to treat us to some exquisitvely picked tracks, excellent banter and glorious live music.  Check out the full show again below!

Radiohead - The National Anthem
Human, Don't Be Angry - The Missing Plutonium
Bill Wells & Aidan Moffat - The Copper Top
Penfold - Just One Day
Twin Atlantic - Edit Me
Mt. Judge - Mutant Dead God
Rustie - Ultra Thizz
Plum - Butterflies
Chris Stout's Brazilian Theory - Fisherman's Prayer
Admiral Fallow - The Paper Trench

LIVE TRACK - Beerjacket - Poor Captain Of The Soul

Quickbeam - Seven Hundred Birds

LIVE TRACK - Beerjacket - Eggshells

Julia And The Diamonds - Diamonds
Frightened Rabbit - Fast Blood

LIVE TRACK - Beerjacket - Two Travel

Mike Nisbet - Not Long