I'm pretty much back in sync with these podcasts now, and from here on in, the podcast should be uploaded on a Thursday following the previous day's show. This podcast features the first live show of 2013 and a whole heap of new music. Included is our usual feature 'Re-Mixing It Up' which was a track of the new Mogwai remix album 'A Wreched Virile Lore'. Our first 'Featured Artist' of 2013 was Cancel The Astronauts, and we introduced a new featured called 'Cover Lover', where will play a different cover version each week. Our opening gambit was a Pink cover courtesy of Martin John Henry. Amongst all that there was gig announcement news, and an exclusive play of a demo track from the headliner, news of our Scottish Fiction 2nd Birthday Show, and new music from Frightened Rabbit, Fat Goth, L. Pierre, Steve Mason, Rick Redbeard, Cuddly Shark and much more! Enjoy!
This podcast is our second one focusing on a round-up of all the was good and righteous in 2012. Rather than look at albums, which we did on the last podcast, here we play out some of our favourite singles and EP's released last year. There's music from The Spook School, Fat Goth, Michael Cassidy, So Many Animal Calls, Randolph's Leap and so much more! Check it out and remind yourself of some of the great music released last year.
The more observant amongst you may have noticed that I've been rather late in revealing part two of my favourite albums of 2011. Part one (which was my top 30 albums by International artists) was nearly two weeks ago! (read it here)
However I've been busy inbetween putting out the Scottish Fiction Shelter Christmas EP, two Scottish Fiction shows on Pulse 98.4 FM, recording a end of year special which you can here on Pulse 98.4 FM on Boxing Day at 9pm AND rocking out to We Were Promised Jetpacks at ABC and Mogwai at the Barrowlands.
So without further ado here is Scottish Fiction's Best Of 2011 Scottish Albums numbers 20 to 11:
Third album from the experimental Glaswegians who do not know the meaning of the word quiet. Released on 4th July (a fitting nod to the American metal influences) on It's A Stiff! Records, this album will not be to everyone's taste, but that's part of what makes it so good, it fully commits to the alt metal vibe that thrashes from the word go.
I first discovered Black International's music earlier this year when the band agreed to do a Q&A session for the blog and subsequently contribute a track to one of our free EP's. Their album 'In Debt' was released on 11th March on their own label Return Of Order. Its an album choka block with influences, different sounds and bursting with energy.
Released on Gargleblast Records on 10th October, ex De Rosa man Martin John Henry has produced an album that is a open and beautiful as it's coverart. It's an intriguing and compelling listen, which is full of so much detail that multiple listens, because you'll want to listen again, pick up on little gems obscured from first glance. Personal highlight is the below 'Ribbon On A Bough'.
Contained on this album of 16 tracks, part new material, part reworking of older tracks, are some of the finest songs released by a Scottish artist this year. The album staggers from minimal acoustic hummings, to ambient drones, and all the while takes the listener for a most enjoyable journey through the brain of creator Derek Bates. 'Returned In Time' is a gem of a song. Have a listen below.
Hailing from the granite city (Aberdeen for those not in the know), IndianRedLopez released on of the finest debuts this year. Released on 6th June on A Badge Of Friendship, 'Empty Your Lungs And Breathe' is an album with the legs to propel IndianRedLopez to bigger things that their sound craves. Never straying too far of the mainstream rock path on songs such as 'Ropes' and 'My Eyes' which would be snug at home on any commerical radio stadio, there is also plenty of dabbles into electro and alternative rock to keep everyone interested.
I think it's pretty safe to say that The John Knox Sex Club are unlike any other band on this list. Their second album, self released on 29th August is an absolutely fucking (note this is the only profanity in this post) triumph of an album. It shouldn't really be this good, it's heavily folk influenced, it's opener is 13 minutes long, and it's pretty depressing to listen to, but my oh my does it hit home. The band are mighty fine live, and on this record they've captured that as best as they could.
I think a lot of people have either missed this off their list completely or had it a lot higher. And I think that's because Build A Harbour Immediately, released on Wise Blood Industries on 22nd August is either loved or not. So strangely I'm in the middle. Well not really the middle, because I think it's an excellent record, but not quite top ten material. But let me rescue myself by saying that this is one of the most creative records of the year. Stafford quite often pulls the rug from beneath your ears halfway through a track, which generally results in a broad smile across the face.
Released on Song, By Toad Records on 13th June, I've been listening to Don't You Touch My Fucking Honeytone for a good portion of the last few weeks, and it really reinforced in my just how good the whole King Post Kitsch album really was. Whilst '...Honeytone' is a standout brawling highlight, the rest of the album is of equal quality. The slight roughness of the sound helps add a certain underdog feel, and makes you want to spread the word about this album even more.
Peter Kelly, a.k.a. Beerjacket is Glasgow's premier singer/songwriter. Up until the release of The White Feather Trail on 3rd October this year, Beerjacket's releases were self recorded and produced, which it should be said doesn't take away from the quality of the music at all. TWFT is that little bit cleaner, and the album soars for it. Heart firmly on sleeve, TWFT is full of positive uplifting honest stories that make your day that little bit better.
Born from the ashes of Union Of Knives. Add in Louis Abbot and self released 'Limits' (6th June) is the result. And what a result. At times you can feel the angst in some of the songs (UoK where unceremoniously dropped prior to their album being released). Song Of Return create big songs. Atmospheric, slightly dark at times, and climxing in almost anthemic sing along moments. 'Trajectory', below, was the sound track to the TITP 2011 website. Nice.
