Showing posts with label The State Broadcasters. Show all posts
Showing posts with label The State Broadcasters. Show all posts

Tuesday, 5 August 2014

Scottish Fiction Podcast - 5th August 2014 - Vinyl Mix


Crackle, crackle. 

An all vinyl show?  Is this the '70's?  Am I mad?  No, and quite possibly, but that's neither here nor there.  For a change I decided to do a special show this week featuring tracks from Scottish artists played entirely on vinyl.  And an inspired decision it was too, as it has resulted in this little beaut of a podcast you are now listening to.  Let's call it the b-side to our usual offering.  And like all good b-sides there's some rarities and surprises in store, from artists such as Meursault, Franz Ferdinand, The Twilight Sad, Belle and Sebastian and more. 


The State Broadcasters - Let's Make T-shirts
Honeyblood - Bud
The Pictish Trail - The Handstand Crowd
Franz Ferdinand - Get Up And Use Me
Dananananaykroyd - Black Wax
Meursault - Flittin' (Piano Version)
Stanley Odd - Chase Yirsel
Book Group - Year Of The Cat
Yahweh - Make Me Stop
Mogwai - Friend Of The Night
Tuff Love - Sweet Discontent
The Twilight Sad - If You Keep Me In Your Heart
Belle And Sebastian - Baby Jane


Subscribe/listen to the podcast via iTunes.


Friday, 15 March 2013

Scottish Fiction Podcast - 13th March 2013



It's an absolute pleasure to have been joined on this podcast by Rick Redbeard, lead singer of The Phantom Band and solo artist in his own right.  During the first hour, there's some wonderful folk music hand picked by Rick, chat about the 'No Selfish Heart' album, the Chemikal Underground mansion, the future of music consumption and much more.  An as if that wasn't enough, prepare your ears for three wonderful live tracks.

Following that there's new music from The Twilight Sad, Sun Dogs, Roddy Woomble, The State Broadcasters and more!  Plus all our usual features and gig chat.


Huun Huur Tu - Eshten Charlyyry Berge - As chosen by Rick Redbeard

Rick Redbeard - Cold As Clay (The Grave) - Live in Pulse 98.4 FM Studio

Tom Waits - You Can Never Hold Back Spring - As chosen by Rick Redbeard

Rick Redbeard - Now We're Dancing - Live in Pulse 98.4 FM Studio

Rick Redbeard - Any Way I Can - Live in Pulse 98.4 FM Studio

Cass McCombs - Country Line - As chosen by Rick Redbeard

The State Broadcasters - Be The Someone
Sun Dogs - Dream And Machine

Aye Tunes Friday Freebie - Bianca - Wood Pigeon

The Silent Forest - Model Couple
Roddy Woomble - The Universe Is On My Side

Cover Lover - a is to b - Bela Lugosi's Dead

Pinact - Limbs

Tweet-a-track - Seedhill Bruiser - Trees - As chosen by @HelenDThomas1

The Twilight Sad - Tell Me When We're Having Fun

Re-Mixing It Up - Mogwai - Auto Rock (Errors Remix)

Dave Hughes And The Renegade Folk Punk Band - Evermore


Subscribe/listen to the podcast via iTunes.




Wednesday, 2 January 2013

Scottish Fiction Podcast - 26th December 2012


You've read our Top 20 Albums of 2012 post haven't you?  Well why not now listen to the latest podcast, which was an end of year special where I run through my favourite 20 albums released last year, playing a track from each.  There's been some amount of special music released in 2012.  The majority of it features on this show.  Enjoy!


French Wives - Younger
Cancel The Astronauts - Making Dynamite
Lightships - Sweetness In Her Spark
Olympic Swimmers - Knots
Gav Prentice - How Are You Sleeping?
The Unwinding Hours - Wayward
Meursault - Lament For A Teenage Millionaire
Jo Mango - The Black Sun
The State Broadcasters - The Only Way Home
Human Don't Be Angry - The Missing Plutonium
The Yawns - Summer's Wasted
Admiral Fallow - The Paper Trench
Errors - Earthscore
Miaoux Miaoux - Hey Sound!
The Twilight Sad - Alphabet
Rachel Sermanni - The Fog
Stanley Odd - Antiheroics
RM Hubbert feat. Aidan Moffat & Alex Kapranos - Car Song
Django Django - Default
PAWS - Sore Tummy

Subscribe/listen to the podcast via iTunes.



Friday, 21 December 2012

Best Albums Of 2012 - 20 - 11

On the day of the impending Mayan apocalypse, let's all take a few moments to celebrate and reflect on just how bloody good a year it has been for Scottish music.  Last year when compiling this same 'Best Of...' list there was always a clear winner in my mind, Bill Wells & Aidan Moffat's 'Everything's Getting Older'.  That was vindicated by the same album taking the BAMS 2011 title, and more importantly the inagural SAY Award back in June.

This year however, I've chewed this list over and over.  I've mulled on my favourite, re-jigged the order, and cried at the albums I had to leave out.  It was a difficult list, but I've finally settled on this, the Scottish Fiction Best Of 2012.  So enjoy, listen, disagree, engage however you please.

Presented in this post is numbers 20 to 11 in our countdown.

20. French Wives - Dream Of The Inbetween

The Glasgow quintet released their much anticipated début album back on 7th May via Stow College label Electric Honey.  It's a romp of an indie-pop effort, which holds real emotion beneath the catchy melodies, and features a number of their singles released already such as 'Younger' and 'Numbers'.  The band were also rather kind to come and play the first Scottish Fiction Presents: Aye Tunes vs. Peenko gig back in October, which was lovely! 

(Buy the album here


19. Cancel The Astronauts - Animal Love Match

The first of four, yes count them four, albums released on 17th September to feature in our top 20.  The Edinburgh band put out this very accomplished album which is full of well written love songs that actually convey real emotions, landscape sounds at times rivalling those of more establish indie acts, and full of awkward dance moves as those oh-so-cool indie kids try not to dance.  Another charming band who came and playing for us in October.  Cheers!

(Buy the album here)


18. Lightships - Electric Cables

Teenage Fanclub are an institution that can do no wrong.  Luckily that also extents to their constituent parts, including bassist Gerard Love who, with the help of some other Glasgow musicians, released his début solo album under the guise of Lightships.  The influence of the Fannies is clear, as is another Glasgow institution The Pastels, under whose label the album was released, yet there's plenty of originality and a breezy summer day feel throughout.

(Buy the album here)



17. Olympic Swimmers - No Flags Will Fly

Back in 2011 I had the pleasure of seeing Olympic Swimmers support Admiral Fallow at The Arches, and shortly after 'Apples And Pears' became one of my favourite tracks.  I'd kind off forgotten about the band until... BAM 'No Flags Will Fly' dropped on 4th June and propelled the band to greater things.   The first four tracks contribute one of the strongest starts to an album all year, especially my favourite 'Knots'. 

(Buy the album here)


16. Gav Prentice - The Invisible Hand

Over The Wall frontman Gav Prentice chose this year to 'go solo', something which he'd been toying with for a while and was encouraged to go for during a lull in OTW activities.  And just as bloody well, because début 'The Invisible Hand' genuinely does stand alone from Prentice's previous band and serves as a vehicle for the him musician to say something he couldn't have got across as a collective.  Full of small town angst, frustration and threats of violence, it's a stonker of an album well worth checking out.  Peenko, Aye Tunes and I had the pleasure of 'launching' the album at our gig in November.  Jolly good so it was.

(Buy the album here)



15. The Unwinding Hours - Afterlives

After 2010's self titled album from former Aerogramme lad's Craig B and Ian Cooke, a follow up was always expected.  Thankfully it was delivered via Chemikal Underground in August, and it firmly delivered surpassing the standards the duo had set with their début.  Ian Cooke has been a busy bee this year as well, popping up as part of CHVRCHES, who may, arguably, surpass TUH popularity.  Time will tell.  In the meantime enjoy 'Afterlives'.

(Buy the album here)



14. Meursault - Something For The Weakened

Time for my favourite named album of the year, the wonderfully titled 'Something For The Weakened' from Meursault.  Led by Neil Pennycook, Meursault returned with their third offer, displaying progression in their songwriting and a more 'human' and acoustic sound.  Featuring tracks such as 'Flittin', 'Dull Spark' and personal favourite 'Lament For A Teenage Millionaire', this is a fine fine album worthy of your time.

(Buy the album here)



13. Jo Mango - Murmuration

The first of two appearances for DIY Glasgow label Olive Grove Records.  Jo Mango's second album 'Murmuration' was a labour of love, taking six years to write and record.  It's certainly worth the wait though as there's such beauty, craft, intricacy and emotion weaved throughout.  Each track is a real labour of love, and for true, original songwriting you can't look further than 'Murmuration'. 

(Buy the album here)


12. The State Broadcasters - Ghosts We Must Carry

And here's numero two for Olive Grove, which has nothing to do with our recent gig foray with Lloyd, and everything to do with the extraordinary collective feeling they have developed and used to entice The State Broadcasters to release their second album 'Ghosts We Must Carry' with them.  The second album on the list to have been released on the magical date, 17th September, The State Broadcasters have crafted an album full of folk/American/traditional musical influences which broads with real human emotion.

(Buy the album here)


11. Human Don't Be Angry - Human Don't Be Angry

Human Don't Be Angry, named after the literal translation of the German name for the board game Frustration, is of course Malcolm Middleton, who turns his hand to electronica and '80's influenced music on this album.  Released via Chemikal Underground on 23rd April, it's an album that has intriuged me and stuck with me all year round.  Sound truly landscaped sounds, tapping into the electro sound which is prevalent at the moment.  Wonderful live as well.  Chill out and have a listen.

(Buy the album here)


Thursday, 1 November 2012

Videos Killed The Radio Star - Round Up

If you used to read the Favourite Son blog, which sadly stopped a few months back, then you might have enjoyed Chris's weekly round-up of music videos.  Now before you get all excited, I'm not committing myself to doing a weekly round-up, but there's been a few videos cropped up over the past few days and week's that have caught my eye, so I thought I'd fire up a quick post.  Enjoy!


He's been supporting Amy McDonald the past few night, and in the build up to his single 'Battleships' being released on 19th November Michael Cassidy has got a cool underwater video out now.  Check it out.


We were lucky enough to have been joined by The State Broadcasters on the Scottish Fiction radio show a few months back.  Their brilliant album 'Ghosts We Must Carry' is out now, and here's a brand new video from them for the single 'Trespassers'.  Beautiful stuff so it is.


From furry animals to political statements.  Yes it's time for a home-made video courtesy of Solareye from Stanley Odd.  Here's an interesting visual for the excellent track based around the Scottish independence debate 'Marriage Counselling'.


Another Olive Grove artist Jo Mango has a new video out ahead of her new album 'Murmuration' which will be released on 5th November.  Check out this wonderful video with flocks of birds a plenty.



Rounding things off is the latest episode from the Detour boys. Featuring Michael Cassidy, CHVRCHES, Crusades and more!



Monday, 8 October 2012

Scottish Fiction Olive Grove EP


Wipe away those tears, as even though we have reached the last Scottish Fiction EP (at least for the time being) it's a helluva way to end.  This year we've been loving all things Olive Grove Records, from The Son(s) EP 'Leviathan', to The State Broadcasters album 'Ghosts We Must Carry', to Jo Mango's recent single Cordelia and the forthcoming album 'Murmuration'.

We've had a whale of a time with the roster live in the studio; Adam from Randolph's Leap joined us first, followed by Graeme and Gill from The State Broadcasters, and then label moguls Lloyd and Halina.

So it is with extreme pleasure that I present to you the Scottish Fiction Olive Grove EP.  Included on this EP is a track called 'Radar' by The Son(s), an exclusive remix from Jo Mango called 'Cordelia (Choral Version), a classic track, 'Counting Sheep' from Randolph's Leap, and lastly a live version of 'Takeshi' performed by Graeme and Gill of The State Broadcasters, taken from the Scottish Fiction Session on Pulse 98.4 FM.  Below are links for our Q&A with each artist, and also a stream/download of the full EP.  Enjoy!

The Son(s)
Jo Mango
Randolph's Leap
The State Broadcasters


Monday, 1 October 2012

We're Only Here For The Banter - The State Broadcasters


I was lucky enough to have been joined in the studio by Graeme and Gill of The State Broadcasters about a month ago, and along with having their new album 'Ghosts We Must Carry' on constant repeat, they have really enchanted me.  Below is the transcript of that interview for you to check out.

Hello, how are you?

Graeme - We are all fine and dandy, thank you!

It's the question that everyone hates, but could you tell us a little bit about your music and influences?

Graeme - We've been about in various different forms for a good wee while, probably about 7 or 8 years all in.  We put out our first record in 2009 through Electric Honey, and we've just released the second album.  We are a six piece most of the time, and we've been described as various different things from folk-pop to Americana to indie-folk so I don't know!  It's the hardest question in the world a band can get asked is, "what's your music like?"

Tell me about the new album 'Ghosts We Must Carry'.

Graeme - The album itself has been finished for the best part of a year, but for a variety of reasons we had to leave it until September to put it out.

Gill - We are really lucky in that Pete, who is a band member is also the producer.  Which is brilliant because we can make all of the recordings literally in his bedroom, which is fantastic.  But at the same time it's easy to take a long time to do things, and also we've all got other things going on and life gets in the way.  But being able to take your time over it is a mixed blessing because you realise a whole year has gone by, but it's nice to take your time over it.

Graeme - It sounds a bit weird to say this, but the songs on the new album, with the exception of one song which is quite old and another which is a cover, were all written in a very short period of time.  What we wanted it to feel like this time round was an album which had a very strong sense of cohesion.  So although it's taken a long time for it to come out, the actual songs themselves were all written in a short space of time close together.  We worked pretty hard, Pete especially, to try and get the sounds we wanted this time as we had a very definite idea about what we wanted this album to be like.

How did you come to start working with Olive Grove Records?

Graeme - Well we kind of met Lloyd, and I'm not really sure how, which is often the way with Lloyd!  We let him hear it and he liked it.  We were looking for someone to put it out and liked the way that they were wanting to do that.  For us this time, it was really important that we went with people who were really enthusiastic about the album and the songs.  For me that was more important than having a big budget.  And that really came across for us, and was a big factor in our decision.

What's your song writing process like and does having so many instruments to call upon influence that?

Graeme - Pete MacDonald who plays trombone, piano and also sings, it's him and I who do most of the writing and the initial arrangements.  I don't tend to think of instruments when I'm writing a song, but maybe when you get to the arrangement stage.  A lot of the songs from the first album I had written before we'd formed the band, so there was no pre-conception of what it will sound like.  But with the songs off of this album, were all written with the band in mind.  So oddly enough it does start to influence your writing and the type of instruments that people play in the band.  Some times it's really clear, there's a couple of songs on the album that I knew exactly what I wanted them to sound like, but others I had to sit down and strum it out and the others would come in with their ideas. 

In terms of writing, sometimes I'll go to Pete with the chords and the lyrics, and Pete will embellish it.  Sometimes he'll have the piano part and then I'll add the lyrics and maybe add something.  Everyone tends to write their own specific parts.  Sometimes we'll have a clear idea and say we want it to sound like this, but everyone does write their own parts.  We tend to have the songs worked up before we record them.

Have you got any gigs coming up that people can catch you at?

Graeme - We have a launch night for the album on 21st October, which we are going to try and make a really special night.  We are going to premier a video that was made for 'Trespassers', and it's in a really pretty venue in the West End of Glasgow, The Wellington Church on University Avenue.  So hopefully that will be a really special night, we wanted to try and do something a bit different for the launch of the album. 

Gill - The video that was made for 'Trespassers' was along the theme of light, and I think there's going to be some quite special things at the launch night.

What could we expect to see from a live show?

Gill - That's a good question!  I really really enjoy playing live with The State Broadcasters, because I think everybody's really nice in the band!

LAUGHTER

Graeme - The trouble we have, is that when we rehearse we rehearse acoustically, we don't go into a rehearsal studio and plug in.  So some times when we plug into a PA and stuff like that, if it's not quite coming together it can make things a bit difficult.  I think we've got better as we've gone along.  And also because some of the instruments we use are a bit unusual.  We're not really selling ourselves!

Gill - If I was in the audience I would think it was great!

Graeme - I would say that I think there's a warmth from what we do.  One of the sounds I wanted from both albums was a feel of being able to comfort people.  It sounds a bit grandiose, but I mean that it can make you feel a bit better.  I think because we genuinely enjoy it ourselves, we hope that comes across.  If people are into it, then it's a great feeling.

Gill - There's some quite unusual moments because having two trombones in the band, you do the warmth of two trombones and the cello, along with the guitar, the harp, the accordion and the banjo it is really warm.  And we've worked quite hard on making sure there's lots of vocals so sometimes we're all singing and it's really lovely.

The new album is called 'Ghosts We Must Carry', and it's a name which really entriuges me.  Is there any particular meaning behind it?

Graeme - Yes there is!  It's really difficult to try and distil it down.  It's got a range of meanings.  I guess what I was thinking with that title, the 'ghosts' are either actions you have committed, or have been committed upon you, that occur throughout your life.  Whether that be someone passing away or someone kicking your car door in.  These things stay with you and they're kind of the 'ghosts' I refer to.  No matter how you progress on with your life, and things changes all the time, these are the thing that stay with you and part of what makes you what you are.  It also has a very literal meaning of people that are no longer here, that you still think about.  There are two or three different meanings to it, but I hope that makes sense.  The album is what we would consider a traditional album, that's designed to be listened to from beginning to end.  So when we produced it, we wanted a title that reflects that, so this is what we decided upon in the end.

At Scottish Fiction we focus on new Scottish music, how do you as a band view the Scottish music 'community'?

Graeme - I personally am a bit detached from it now as I don't go out very much!  In a way it's kind of sad that there are so many great bands and talented people, and so few of them are playing to bigger audiences, which sometimes can depress you.  But I am also full of admiration for people who are doing it just because they feel it's a calling, or because they like doing, but people who just carry on regardless, I have nothing but admiration for that.

Gill - From my perspective, coming from a more traditional background, can see huge developments in the traditional music world. 

What other Scottish artists would you recommend to the Scottish Fiction readers?


Gill - I've been listening to loads of Joanna Neeson recently.

Graeme - I haven't been to see many local bands recently, but a person who I have never ever fallen out of love with in terms of the Glasgow scene is Beerjacket.  I think for as long as I can remember he was been so consistently good.  And I'm really pleased for him that his last album seemed to really take him to another level in terms of the audience he is playing too.  And the songs that he has been writing for about the same length of time that we've been going, the standard is just up there all the time.


Check out more from The State Broadcasters

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Thursday, 27 September 2012

Scottish Fiction Podcast - 26th September 2012


Another Scottish Fiction show, another live guest in the studio.  This week we welcomed Kyle Wood a.k.a. Lovers Turn To Monsters into the studio for some chat, tunes and live music.  A huge thanks to Kyle, who sounded excellent as always and choose tracks from So Many Animal Calls and Algernon Doll.  There's the introduction of a new feautre 'Re-Mixing It Up' where we play a remix track each week, and there's our Aye Tunes Friday Freebie which this week comes from Finn LeMarinel.  As well as all that there's new music from Withered Hand, Frightened Rabbit, Randolph's Leap and more!

Algernon Doll - Cut-throat Kid - As chosen by Lovers Turn To Monsters

Lovers Turn To Monsters - My Dad Doesn't Really Like My Interests, I can Only Imagine What He Think Of You - Live In Pulse 98.4 FM Studio
B. Fleischmann - Planes, Machines And King Kong - As chosen by Lovers Turn To Monsters

Lovers Turn To Monsters - The Lone Rangers - Live In Pulse 98.4 FM Studio
So Many Animal Calls - Broken Antlers - As chosen by Lovers Turn To Monsters

Lovers Turn To Monsters - Skeletor - Live In Pulse 98.4 FM Studio

Frightened Rabbit feat. Aidan Moffat - Wedding Gloves
Clean George IV - Cecilia
The State Broadcasters - Let's Make T-Shirts
Withered Hand - Inbetweens
The Japanese War Effort - Last Tram To Halfway

Rob St. John - Vanishing Points (Jonnie Common Remix) - Re-Mixing It Up

Randolph's Leap - Goodbye
Hiva Oa - Not In My Name
Flutes - Auld Archie
Siobhan Wilson - All Dressed Up

Finn LeMarinel - Places Known - Aye Tunes Friday Freebie


Thursday, 20 September 2012

Scottish Fiction Podcast - 19th September 2012


On this show we were joined by Lloyd Meredith and Halina Rifai of Glasgow DIY label Olive Grove Records.  Lloyd and Halina were in good spirits and chatted about the label, their ethos, their rooster and Scottish music in general.  They picked some new exclusive tracks to play as well!

In the second half of the show we had music from the likes of Stanley Odd, Cancel The Astronauts, Rachel Sermanni and French Wives.  As always, check out the full playlist below and listen to the show again!


Jo Mango - Evermore - Chosen by Halina
Randolph's Leap - Weatherman - Chosen by Lloyd
Finn LeMarinel - Wrung - Chosen by Halina
Herman Dune - I Wish That I Could See You Soon - Chosen by Lloyd
Pensioner - Massive Ferguson - Chosen by Halina
The State Broadcasters - Tresspassers - Chosen by Lloyd

Stanley Odd - Marriage Counselling
Rachel Sermanni - Sea, Oh See
French Wives - Halloween
Cancel The Astronauts - Catch You If I Can
The Leg - Eagle To Saturn
Young Philadelphia - Federales
The Tide Inside - Melt Me
Olympic Swimmers - Where It Snows (Miaoux Miaoux Remix)
Bellow Below - Prins Olav
Katerwaul - February - Aye Tunes Friday Freebie


Sunday, 16 September 2012

Album Review - The State Broadcasters - Ghosts We Must Carry


The State Broadcasters return on Monday 17th September with their second album 'Ghosts We Must Carry'.  Having taken their time to ensure the quality of the sounds; crafting a continuity throughout; and also that the release was one they were happy with, 'Ghosts We Must Carry' comes after a two and a half year wait since début 'The Ship And The Iceberg'.   And boy is it worth that wait.

Album opener 'The Only Way Home' strums in with a melancholy feel, before lead singer Graeme Black's warm vocals come in, tinged with emotion as he sings "a phone call we'll never forget, delivers the news".  The track then changes into a trombone and cello led instrumental which swells and grows towards a drone-y ending.

The next two tracks are singles 'Trespassers' and 'Kittiwake', both of which have been available to download for free ahead of the album's full release.  'Trespassers' combines Graeme's and harpist Gill Fleetwood's voices beautifully, with sweet piano playing providing a jovial melody underneath.  The effect is to create a dreamy Sunday morning feel (appropriate perhaps as I kick back on Sunday morning writing this review!) and with sentimental lyrics such as "I try to imagine a landscape without you", 'Trespassers is an album highlight.

'Kittiwake' tackles the same subject of loss, yet in a slower, more traditional sounding manner.  It's the kind of song which almost feels as though it belongs in a simpler era.  The music, consisting mainly of piano, trombone, harp, acoustic guitar, cello and accordion, weaves melodies in and out, and the lack of drums means everything seems that little bit more laid back.  This is a common feel to the album, making it perfect music for when one just wants to retreat back from the fast paced nature of the 21st century for a while.  In 'Kittiwake' is the most obvious reference to the common theme running through the album's lyrics; "you were only 42 when I lost you.  I'm so lonely."  When Graeme and Gill joined us in the studio recently I asked about the name of the album, being informed that it referred both to the people who have passed whose influence and memories we carry on in our lives, but also to situations and moments of regret.  It's a feeling to which almost everyone can relate to, and the outward emotion of the album is something which creates a bond between record and listener.

Gill takes over vocals on the hazy, dreamy 'The Only One' before the crackling sound of an old record playing eases us into another album highlight, 'Takeshi'.  That lo-fi sound remains throughout, with the constant crackle and a simple duet with Graeme and Gill's voices completely at ease with one another.  The instrumentation again is gloriously relaxed and heartfelt, the occasional dulcet tones of the trombone underneath the plinking on the piano.

'Where I Belong' begins with gentle humming and a bright acoustic guitar.  In a way it's similar to earlier tracks, the style of music doesn't often stray from the folk based multi-instrumental fare, yet it's become a real favourite of mine over the past few weeks.  There's a hint of redemption in the words of this track, and with opening lines, "these old songs, they do no wrong" it's clear that by reminiscing the 'ghosts' aren't as difficult to carry.

Whilst I say the style of music doesn't vary much, there is actually a whole raft of things going on in each track and the album as a whole.  The tag 'inde-folk' is an easy one to apply to The State Broadcasters, yet it's not the whole story by any means.  There's elements of soft jazz, Americana, classical, traditional, and good old fashioned rock and roll all within this album, made possible of course by the vast array of instruments the 6 piece employ.

The album closes out with three tracks maintaining the high quality of the album.  'The Writing's On The Wall' sneaks in some drums for the first time, and reminds us of the therapeutic powers that a loved one can have; "when I'm feeling this bad, I need to feel your love".  It's a rather upbeat and up-tempo track, and a stonking love song, amongst an album more focused on the melancholy.  'This Old Table' has a drone-y undertone of the harmonium beneath lo-fi vocals.  It's haunting, eerie and un-mistakeningly beautiful.  With no real melody to back the vocals, it's the lyrics and the power of song writing which is brought to the fore, laying bare the trauma's and tragedies of the writer.  The events are never described in full, yet again reverting back to the album title, it's clear that there's personal loss felt within this track.

The album ends with a rather down-tempo track about New Year, creatively entitled 'New Year's Day', a short, sweet and waltzy lament about the desire to call ones loved one amidst the frenzy of New Year.

'Ghosts We Must Carry' will not appeal to everyone that's for sure.  It's the kind of album which requires the listener to suspend themselves from everyday life for 40 minutes, and use the music to do a little self-reflection of their own.  But for those who do, the rewards are bountiful.  The State Broadcasters have crafted an album full of folk/American/traditional musical influences which broads with real human emotion.  I imagine in the writing process there's been a lot poured into these songs, and by doing so the band have given us a lot to enjoy.


The State Broadcasters - 'Ghosts We Must Carry' is out on Monday 17th September via Olive Grove Records.  You can pre-order the album right now on their Bandcamp.

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Thursday, 13 September 2012

Battle Of The Bands - Round 5


Aaaaaaaand we are back!  Over the past month both David of Kowalskiy and I have been skiving off on holiday*, meaning it's round 5 of our Battle Of The Bands has been brewing nicely in the background.  Round 4 saw David take a one point lead over us, having recruited We Are The Physics who wipe the floor with my choice, Michael Cassidy.  Fear not Mr Cassidy, I shall avenge thee!

* Huge congratulations to David and his finance who got engaged on their holiday!

I was back in the driving seat with first pick in Round 5, and I plan to use that advantage to even up the scores overall.  As always, should you need a quick reminder of the rules look no further.


Joining the Scottish Fiction camp this week are The State Broadcasters fresh from their live session on the show, and with a brand new album about to drop on Monday.  The six piece band have been plying their musical trade for 8 years now, and with a mighty Scrabble score of 28 and an impressive 13 tracks nestled on their SoundCloud page I've got every reason to be confident.  My chosen categories then as you may have guessed are; SoundCloud Tracks, Years Since Formation and Band Name Scrabble Score.  The real test is though how they measure up against Kowalskiy's choice.


Cor blimey!  Another band with a new album out on Monday, it's Cancel The Astronauts!  And it's now time to tot up the scores and to the victor giveth the spoils!

SoundCloud Tracks - David get's off to a good start as Cancel The Astronauts have a career spanning 28 tracks on their SoundCloud page, which pretty much wipes the floor with The State Broadcasters 13.  So much for that one...  1-0 to Kowalskiy.

Years Since Formation - Huzzah!  They may have 28 tracks on their SoundCloud page, but they've been accumulated over 5 years, compared with the 8 years my choice The State Broadcasters have been plugging away for.  1-1 with all to play for.

Band Name Scrabble Score - And it's down to the wire!  It's a close one, but the cunning use of the definitive article means The State Broadcasters pip Cancel The Astronauts on the Scrabble board with 28 points to 26.  2-1 to Scottish Fiction, and victory!

Which as I intended, bring the Battle Of The Bands series back to 3-3.  There'll be the chance for one of us to retake the lead in a fortnights time with Round 6.  Until then, here's why David and I chose our respective artists.

The State Broadcasters were recently live in the Pulse studio on our Scottish Fiction radio show, and coupled with sneak preview listens of their forthcoming album 'Ghosts We Must Carry', I've grown rather fond of them.  Their gentle indie-folk has the means to warm the cockles of hearts and minds, and I highly recommend you buy their album when it's released via Olive Grove Records on Monday.  Head on over to their Bandcamp page where you can do so, and also pick up some free stuff, including 'Kittiwake' which is streaming below.


Also with a new album out on Monday is Cancel The Astronauts.  'Animal Love Match' is a fabulous record, so much so that I've said so right here.  Sadly their launch night for the album, due to be held at Sneaky Pete's has had to be cancelled, however we may have some exciting news relating to live shows and the band coming very soon (I've said too much!).  Check out 'Making Dynamite' from the album below.

Thursday, 6 September 2012

Scottish Fiction Podcast - 29th August 2012


On the last Scottish Fiction radio show we welcomed Graeme and Gill from The State Broadcasters into the studio for a live session.  And what a delight that was!  The duo were happy to chat about the band and their music, choose some tracks to play and also played some live songs.  As well as this I also looked back at Doune The Rabbit Hole, and played some new music from Kill The Waves, The Pictish Trail and The Deadline Shakes.  Enjoy!

Human Don't Be Angry - Monologue: River
Aidan John Moffat - Wall Song
The Deadline Shakes - Sweeten The Deal
The Pictish Trail - Not To Be
The Machine Room - Dreaming Of Mario

Clem Snide - African Friend - As chosen by The State Broadcasters

The State Broadcasters - Trespassers (Live in Pulse 98.4 studio)

Rachel Unthank & The Winterset - Sea Song - As chosen by The State Broadcasters

The State Broadcasters - Takeshi (Live in Pulse 98.4 studio)

Vic Chesnutt - When I Ran Off And Left Her - As chosen by The State Broadcasters

The State Broadcasters - Where I Belong (Live in Pulse 98.4 studio)

Django Django - Hail Bop
PAWS - Clementine
Homeward James - Seedy Circus
Louie - Stoichkov
Sacred Paws - Just Kids
The Phantom Band - Mr. Natural


Saturday, 4 August 2012

Scottish Fiction Podcast - 1st August 2012


This week's show featured a bevvy of new music including the likes for The State Broadcasters, the new single from Admiral Fallow, Discopolis and some unearthed gems from Tambay and Nassim Donald.  Our Featured Artist this week was Edwyn Collins, and we also had a track from our Classic Scottish Album 'Please Describe Yourself' by Dogs Die In Hot Cars.  Get stuck in!

Randolph's Leap - Wack
Discopolis - Trivial Pursuits
M A D I S O N - Armbands
The State Broadcasters - The Only One
Algernon Doll - Spiral Sounds
Vcheka - 1977
Calum Carlyle - Strange Skies

Classic Scottish Album - Dogs Die In Hot Cars - Godhopping - Please Describe Yourself

IndianRedLopez - Silence Vacuum (Bunker Version)
Tambay - Only You Know
Laurence And The Slab Boys - Mushroom
Bottle Of Steven - Darkest Fools
DOLFiNZ - Protein Shake Brain
Conquering Animal Sound - Giant
Admiral Fallow - Guest Of The Government
Nassim Donald - Coast

Featured Artist - Edwyn Collins
Orange Juice - Rip It Up
Edwyn Collins - A Girl Like You
Edwyn Collins - Losing Sleep

eagleowl - Into The Fold
Ded Rabbit - We Can Be Free
Esperi - Made For Life

Thursday, 21 June 2012

Scottish Fiction Podcast - 20th June 2012


A
s you might guess from the picture above, this week's show has a little bit of focus on the SAY Award 2011 winning album 'Everything's Getting Older' by Bill Wells & Aidan Moffat.  There's also some chat about the award ceremony, talk of our Scottish Fiction Presents gig, a track from a Classic Scottish Album, a Peenko Friday Freebie and a brand new feature, 'Festival Focus' where we take a look at this year's Wickerman.  All this and music from Shambles Miller, Yaya Club, AMBULANCES, Campfires In Winter and more!

Make Sparks - Rewind
Yaya Club - An Ode To JJ
Bill Wells & Aidan Moffat - (If You) Keep Me In Your Heart
The Last Battle - Hope Is Gold
Mad Nurse - Submissive

Classic Scottish Album - Aberfeldy - Summer's Gone - Young Forever

Queen Jane - All Together When We... (BARRIENTOS Remix)
Campfires In Winter - See Us There, Both
Bill Wells & Aidan Moffat - The Copper Top

Peenko Friday Freebie - State Broadcasters - Trespassers

AMBULANCES - Sweetness

Festival Focus - Wickerman
Texas - I Don't Want A Lover
Holy Mountain - Kegs
Human Don't Be Angry - First Person Singular, Present Tense
Rachel Sermanni - Eggshells

Saint Death - 100 Times
I Build Collapsible Mountains - Sleeplesser
Bill Wells & Aidan Moffat - The Greatest Story Ever Told
Shambles Miller - Confessions